Passion Plays

The Rolling Stone readers’ poll on the 10 Best Prog Rock Albums of the 70’s has it all: songs of symphonic length, self-indulgent morality plays, virtuosity, technical wizardry – and absolutely no dancing.

And yes, I had most of these albums.

Prog rock was big in 70’s; probably too big.  So it’s curious that only 5 bands scooped up all 10 spots (2 each for Rush and Genesis, with the grand prize going to Pink Floyd with 4).  Or maybe not, because the albums listed were huge.

Definitely not:  ELP, Focus and Mike Oldfield didn’t age as well.

I might have swapped out Floyd’s Animals for Jethro Tull’s A Passion Play, though.  Tull’s sense of humour with the “Story of the hare that lost his spectacles” bit was kinda funny.  And let’s face it, Animals was hard work.

Believe I’m Sinking Down

Have I ever mentioned I’m not a fan of award shows?  I rarely watch them because they always disappoint.

But I made an exception this year and watched the Rock and Roll Hall of Fame Inductions. I mean, Rush, Heart, Albert King.  Gotta be good right?

Guest appearances by John Fogerty, Tom Petty, Jackson Brown, David Grohl, Gary Clark, John Mayer.  People I admire.  Music I love.  Gonna be good for sure.

Nope.

Lame speeches.  So-so performances.  Well-meant and no doubt all very sincere, but in the end, just a bunch of silliness.

You know, when Alex Lifeson gets the most applause for literally saying “blah blah blah” for 3 minutes (though it seemed like 7), the evening has been kinda dull.

Cool jam on Crossroads as the credits rolled, though.

Can’t Make You Think

Gibson’s 10 Great Concept Albums proves that the critics weren’t always right, and that the music wasn’t always pretentious.

OK, maybe that second bit is a stretch.

Here’s the list:

 1. The Who - Tommy

 2. Jethro Tull – Thick as a Brick

 3. Drive-By Truckers – Southern Rock Opera

 4. The Beatles – Sgt. Pepper’s

 5. Green Day – American Idiot

 6. Alice Cooper – Welcome to My Nightmare

 7. Dream Theatre – Metropolis Pt. 2 …

 8. Bowie – Ziggy Stardust

 9. Rush - 2112

10. Pink Floyd – Dark Side of the Moon

All in all, a predictable list, though if the article had made a hard distinction between a concept album and a rock opera, it might have been more interesting.

Then again, in terms of success – not to mention astonishment that the band could actually perform it live – you can’t really ignore Tommy.  Or Thick as a Brick, or …

There’s a pretty broad spectrum here in terms of adherence to a “concept.”  At one end you’ve got a tightly knit story (Tommy) – or a single song, actually (Thick as a Brick).  At the other end you’ve got a loose collection of songs that, according to John Lennon, worked as a concept “because we said it worked.”

Anyway, it’s a fine list of masterpieces.  Pretentious?  Maybe.  But isn’t music a form of story telling, and if the story is a long one …

Riffer Madness

Gibson’s Top 10 Riffs of the 80's serves as a great reminder that the 80’s weren’t as grim as all that after all.

Here’s the list:

  1.  AC/DC – Back In Black

  2.  Rolling Stones – Start Me Up

  3.  Ozzy Osborne – Crazy Train

  4.  Scorpions – Rock You Like A Hurricane

  5.  Def Leppard - Photograph

  6.  Judas Priest  - Breaking The Law

  7.  Michael Jackson – Beat It

  8.  The Clash – Should I Stay Or Should I Go

  9.  Guns N’ Roses – Sweet Child o’ Mine

10.  Rush – Limelight

But …

The preamble talks about riffs really coming into prominence in the 60’s, thanks to the likes of Dave Davies, Pete Townshend and Keith Richards.  Sure, but why is John Lennon never mentioned?  Davies and Townshend had a handful each.  Only Lennon could rival Keef in both quantity and quality.

And why is Jimmy Page not mentioned?  Hello?

Some other tunes with killer riffs I might have nominated include:

She Sells Sanctuary – The Cult

Money For Nothing – Dire Straits

She’s Waiting - Clapton

Would I Lie To You? – The Eurythmics

Paper In Fire - Mellencamp

Every Breath You Take – The Police

Refugee  - Petty

Sunday Bloody Sunday – U2

Owner Of A Lonely Heart - Yes

Sharp Dressed Man – ZZ Top

Pretty good list, reinforcing the immortal songs are built on three chords, the truth, a backbeat, and a great riff.

They Got Rhythm

Gibson has this 10 Great Rock Rhythm Sections list.

What Elvis said about people applies to bands too: Rhythm is something you either have or don't have, but when you have it, you have it all over.

Rhythm is what holds it all together. Rhythm is fundamental. Rhythm is what it's all about.

Here's the list:

1. John Paul Jones and John Bonham, Led Zeppelin
2. Geddy Lee and Neil Peart, Rush
3. Flea and Chad Smith, Red Hot Chili Peppers
4. Les Claypool and Jay Lane, Primus
5. Bill Wyman and Charlie Watts, The Rolling Stones
6. John Entwistle and Keith Moon, The Who
7. Tim Commerford and Brad Wilk, Rage Against the Machine
8. Jack and Meg White, The White Stripes
9. Mike Dirnt and Tre Cool, Green Day
10. P-Nut and Sexton, 311

I might have added Larry Mullen and Adam Clayton from U2, or Ian Paice and Roger Glover from Deep Purple - and I definitely would have added Paul and Ringo.  Yes, The Beatles did fancy, trippy, pretty and symphonic, but they also rocked.

Not to slag Mr. Jones, but I wonder if he didn't get lost in John Bonham's thunder.  Not sure if Zep's rhythm section wasn't just Bonzo, and John Paul Jones was along for the ride.

Based on what I read in Keith Richards' autobiography, they same might be said about Bill Wyman. Keef waxes poetic about Charlie, but his comments on Bill Wyman are basically limited to:
1. we let Bill into the band because he had a Vox AC30 amp, and
2. then ( a few hundred pages later) Bill left the band

Anyway, great list, because it reminds us about the primary element.

Bottom Dwelling Singers

Actually, it’s the 10 Greatest-Ever Singing Bass Players, according to Gibson. And the list is:
1. Paul McCartney
2. Jack Bruce
3. Geddy Lee
4. Roger Waters
5. Lemmy Kilmister
6. Sting
7. Benjamin Orr
8. Troy Sanders
9. Kim Gordon
10. Phil Linott

Not many surprises here, unless you think Sting should be higher or Rick Danko should be on the list.

Some weird online commentary on the list, though. Seems some folks think John Entwistle and Noel Redding should be included, but really, who remembers that they sang at all?

Overall, I'd have to say Gibson got the list right. McCartney and Bruce were/are two of the best singers in rock history, and both are amazing bass players. To play what they could play and sing at the same time is simply astonishing.

From Geddy Lee down, though, it's really a question of taste. Successful, competent bass players who had roles as singers, though not all are universally admired for their singing. I knew more than a few people who don't listen to Rush because of Geddy's voice, for example. Then again, I know many who think he's awesome. Taste.

No strong opinions about whether Phil Linott from Thin Lizzy belongs on the list, but I will say this: the hairdo doesn't age very well.

The List of Indulgences

Sounds rather medieval church-like, don't it?

Rolling Stone has this list of The Best Prog Rock Bands Of All Time. And, you know, I'm a fan and all, and when the only alternative was disco I was a really big fan, but self-indulgence is a hallmark of prog rock.

Here's the list:
1. Rush
2. Pink Floyd
3. Genesis
4. Jethro Tull
5. King Crimson
6. Yes
7. Emerson, Lake and Palmer
8. Tool
9. Mars Volta
10. Dream Theater

See what I mean about self-indulgence? Lots of interesting music and great musicianship on this list, but also rather too much "because we can." ELP best representing that attitude - or is it worst?

By the way, I keep seeing definitions of prog rock that talk about a big jazz influence, but I just don't hear it. Sure there's a lot of improvisation in jazz, but that's true of blues and rock too. Folk, for that matter. I hear lots of classical and a bit of folk influence in most prog rock. Jazz, not so much.

Rock Trinities

Another interesting list: the Gibson Top 10 Rock Trios

Here's the list:
1. Jimi Hendrix Experience
2. Cream
3. Rush
4. Nirvana
5. ZZ Top
6. Green Day
7. Muse
8. SRV and Double Trouble
9. Primus
10. The Police

Well, I would have included The James Gang there somewhere.  And I would have swapped Cream for Hendrix, but otherwise the list is predictable.

The inclusion of Stevie Ray Vaughan and Double Trouble poses and interesting question, though. What about the quartets that had a singer backed by a trio? Led Zeppelin, The Who, etc.? These bands had the same limitations in terms of what they could put out - especially live. Might make for a different looking list.

The trigger for the question is: Double Trouble started out as just bass and drums behind Stevie. The keyboard was added later - so they weren't always a trio.  Guess there isn’t a big list to choose from.