Showing posts with label rolling stone magazine. Show all posts
Showing posts with label rolling stone magazine. Show all posts

Monday, 9 January 2023

Sock It To Me

 

The thing about lists is they are designed to create controversy.  Witness Rolling Stone’s 200 Greatest Singers of All Time.  Everyone’s going to have a grievance or three.  This one’s too low on the list, that one’s too high.  And – especially, it would seem, if you’re a Celine Dion fan – why isn’t she (or he) on the list?

 

But this list created a different problem for me, because for every okay-I-get-it and are-you-serious? on the list there was also a who?

 

I must be getting old.

Tuesday, 2 January 2018

Don’t Fade On Me


“The soundtrack to your life” may be a cliché, but to the extent that we all have one, mine seemed to be slipping away in 2017.  Check out Rolling Stone’s People We Lost This Year.

Chuck Berry, Tom Petty, Malcolm Young, Gord Downie, Greg Allman, Walter Becker, Fats Domino, J. Geils …  sheesh!  That’s a partial list of cultural icons relegated to our memories.

Back up your hard drives, people.  We need to keep this stuff alive.

Friday, 27 May 2016

After Considerable Thought …


Here’s all I can say about Rolling Stone’s 14 Classic Albums That Flopped When They Were Released.

Yeah, well.

Thursday, 28 April 2016

Nevermind the …


According to Rolling Stone, punk is now 40 years old, as celebrated in The 40 Greatest Punk Albums of All Time.

Sure, you could call the release of The Ramones a start.  Or you could go back to the 60’s with MC5 or The Velvet Underground.  Or you could look at pictures of The Beatles in Hamburg and marvel that the same guys played on Ed Sullivan wearing suits.  Then there’s Elvis, or Eddie Cohcrane, or …

Let’s face it:  Rock and Roll has an edge.  It has attitude.  It has barely contained and badly channeled rage – some of it sexual, some of it social.  It’s for kids who have energy and excitement but no power.

Sometimes that music is raw and unnerving.  Sometimes it’s subjected to more refined production.  But the edge is always there.

Personally, I prefer well-produced music, but that doesn’t mean I don’t get (or enjoy) it when I hear what’s come to be called Punk.  So rock – or punk – on, people.

Saturday, 28 November 2015

Who’s That Again?


Interesting memory test in Rollling Stone’s 10 Singer-Songwriter Albums … You’ve Never Heard.  Forgive me if I abbreviate the ridiculously long title.

Anyway, the 70’s was the heyday of the singer-songwriter, and I remember a lot of it - some good, some angst-ridden cheddar.  But I guess I didn’t notice it all.

I remember Hoyt Axton because I remember Three Dog Night.  I remember Thank You For Being A Friend, but not Andrew Gold.  I remember Tony Joe White because Polk Salad Annie was a fun tune.  Jesse Winchester?  Vaguely remember the name is all.

Elliott Murphy?  Steven Grossman?  Wendy Waldman?  Randall Bramblett?  David Forman?  Rory Block?  I gotta believe my FM station played all these artists, because they were pretty diverse.  But sorry, don’t recall them.   Goes to show our memories make us all smaller over time.

Thanks for the homework, RS.

Friday, 11 September 2015

Got Live If You Want It


As the introduction to Rolling Stone’s 50 Greatest Live Albums of All Time says, it’s impossible to capture the frenzy (and I would add joy) of a great live show on record.  But as the list shows, there have been some awesome live recordings.

Confession:  in general, I have always preferred studio albums, because the sound quality is better, there’s less self-indulgence from the band, and the mistakes land on the cutting room floor.  But I still enjoy a good performance, and I love going to concerts.

The list has something to satisfy just about every musical taste, and it includes some career-establishing performances.  But for me, its main virtue is that it serves as a healthy reminder that music is meant to be enjoyed live.

Thursday, 2 April 2015

Forever Young


If he had never made another record after Nashville Skyline, Bob Dylan would still be regarded as one of the most important artists in the history of music.

But has Rolling Stone Readers Poll of Bob Dylan’s 10 Best Post-60’s Songs nicely proves, he had a lot more to say.  And if the list had been expanded to 40 songs, every one of ‘em would be a powerful tune.

Tangled Up In Blue, Hurricane, Knockin’ On Heaven’s Door … every song on the list is a masterpiece.  And, unlike a lot of 60’s stars, he didn’t just drift into the 70’s and then peter out.  Time Out of Mind was one of the best albums of the 90’s and easily rivals Blood on the Tracks or Highway 61 Revisited (or Freewheelin’, if you prefer) for the title of Best Dylan Album Ever.

Five and a half decades into his monstrously large career, the man is still going.  I hope he never stops.

Friday, 6 March 2015

You’re So Bad


I can’t decide which is worse about Rolling Stone’s 20 Wildest Censored Album Covers: the holier-than-thou attitude of the censors, or Rolling Stone’s insistence that it should treat Spinal Tap as a real band when it compiles its lists.

Friday, 20 February 2015

All Shook Up


The hips, the hair, the snarly smile … oh, and the voice, the energy and the music.  Elvis was, in the beginning anyway, a monumental force, arguably the biggest weapon of mass seduction ever to explode onto the music scene.

So it wasn’t surprising that Rolling Stone conducted a Readers Poll on the 10 Best Elvis Presley Songs around about the time of (what would have been were it not for all that pie) his 80th birthday.

Not surprised to see Heartbreak Hotel, Love Me Tender, and Jailhouse Rock on the list, and I’ve always loved Suspicious Minds.  Maybe I’d feel differently if I’d seen him live, but it’s disappointing to see An American Trilogy on the list.  It just seems to exemplify the sad caricature he devolved into.

And I know it’s a readers poll, so we don’t get a panel of experts assessing his impact and legacy, but it’s still kinda strange not to see the likes of Hound Dog, Don’t Be Cruel and All Shook Up on the list.  It was those early, bluesy rockers that set Elvis apart.

But what do I know?  I’m just a Canadian kid who discovered music in the 60’s, when it was, sadly, all over but for the black velvet paintings.

Thursday, 5 February 2015

Groundbreakers


Hey, Rolling Stone!  What’s with these lists delivered as advertisements?

You need to work at Rolling Stone’s 40 Most Groundbreaking Albums of All Time to get to the detail, but it’s more or less worth it.  Probably.

Well, Kanye West should pleased to be included on a list featuring Woody Guthrie and Frank Sinatra.

And Perrey and Kingsley – whoever they were - should be mighty proud to be on a list that includes Bob Dylan, Ray Charles and Dave Brubeck.

Are we surprised to see pioneers like Nirvana, The Ramones, The Allman Brothers, Paul Butterfield or James Brown on such a list?  Of course not.  Or masters such as Michael Jackson, Marvin Gaye or Carole King?  Nope.

Nor, though I’ll never understand it, can we be surprised to see The Beach Boys’ Pet Sounds, The Velvet Underground’s Nico, The Mothers of Invention, or Sabbath.

This couldn’t have been an easy list to assemble.  It covers every major music genre over seven decades.  And I know I’m just a rabid fan, which in no way qualifies me as an expert, but I do wonder why there are so many entries on the list that I have never heard of.  I mean, I have been paying attention and all.  And while it’s nice to see The Beatles with two entries, how can such a list omit Elvis, Buddy Holly or Chuck Berry?  I’m just sayin’.

Friday, 23 January 2015

There’s Something Happening Here


There is unrest in the land.  Check the headlines.  Turn on the news.  Things are not right, and the people are ticked.

How come, then, Rolling Stone’s 10 Best Protest Songs of All Time has one song from 1992, one from 1975, and 8 songs from the 60’s?  How come Dylan gets on the list four times?  Wait a minute: that’s obvious.

OK, but how come half the songs are about the Vietnam War?  Like nothing bad has gone down since?  No, that’s not true.  Check the headlines.

Is the musical world in denial?  Is its collective head in the sand?

Why are we singing “I’m coming up so you better get this party started,” when “there’s a battle outside and it’s raging?”  I thought art was supposed to imitate life, not avoid it.

Back over to you, Bob, I guess.

Friday, 9 January 2015

Music in the Cafes at Night; Revolution in the Air


Beale Street, Bleeker Street, Haight-Ashbury, Sunset Strip, Music Row and Motown.

These are the streets that changed music history, according to Rolling Stone - or is it Chrysler?  And of course, by Motown they mean West Grand Boulevard, but we’ll let that slide, shall we?

Elvis, Dylan, The Dead, The Doors, all those Motown hits, all that Country … no one’s gonna argue that some pretty important music came off these streets – and still does.

Here’s another one, though, that’s kind of a glaring omission:  Abbey Road.  A little band called The Beatles made a few hit records there, and I’m told they enjoyed a bit of influence in their day.  Oh, and The Hollies, The Shadows, Pink Floyd, Radiohead and Oasis.

Oh wait a minute!  Guess they don’t get many Dodge Challengers driving around London.

Friday, 5 December 2014

Let’s Go Crazy


I don’t know about pop’s greatest year (that honour would have to land somewhere around 1966 give or take a year or two), but Rolling Stone’s 100 Best Singles of 1984 definitely disproves the assertion that the 80’s were a musical wasteland.

Yes, you’ve got your abundance of Europop (some good, some bad; you decide which is which), like Dead or Alive, Wham!  Depeche Mode, Duran Duran, Culture Club, or The Eurythmics.

Or you’ve got your hair bands, some of which didn’t quite stand the test of time (again, you decide which ones), like Scorpion, Ratt, Bon Jovi or Def Leppard.

You’ve also got a healthy reminder that R&B was alive and well thank you very much, thanks to Hall & Oates, Huey Lewis, Sade and Tina Turner.

Then there’s folks who did a great job riding the punk/new wave pop rock thing, like The Cars, Billy Idol, Cyndi Lauper, or Mellencamp.

And of course there are the giants of the decade: Prince, Michael Jackson, Madonna, The Police and U2.

But, you also have blasts from the past, as it were, with entries from Springsteen, Genesis, Van Halen, ZZ Top, Elton John, and McCartney.  Heck, even John Lennon has a posthumous release on the list.

So, notwithstanding 99 Luftballons, there are a lot of fabulous tunes here.  And you know, I had almost as many of these records as I had for the Top 100 of 1966.

Friday, 21 November 2014

Fu-fu-fu-foolin’


I still remember going out and buying my first VCR so I could record The Who’s farewell concert, which was simulcast from Maple Leaf Gardens in December, 1982.

Turns out they didn’t mean it – and still don’t since they’re already advertising their 50th anniversary tour scheduled for 2015.  Well, half The Who anyway.

The Who were not alone in giving us a long goodbye, as Rolling Stone’s 10 Farewell Tours That Didn’t Stick makes clear.  Judas Priest, Kiss, Cher … heck, even Sinatra couldn’t resist the temptation to give ‘er one more go.  Well, if we’re going to buy the tickets, why not?

It’s probably a good thing that we did get fooled again.  Between farewell tours,  re-union tours and why-should-I-stop(?) tours, a fair amount of joy has been spread through the land in the last couple of decades.

Anyway, it gives us a good excuse to wear those “Still Pissed At Yoko” tee shirts.

Tuesday, 19 August 2014

Are We There Yet?



Kudos to RS for, you know, trying to broaden our musical horizons.  But when I examine the list I just don’t get the title.  Are they suggesting that, after over 50 years of obscurity on this side of the Atlantic, Cliff Richards is likely to bust out sometime soon?  Do they think that, at the age of 90, Charles Aznavour gives a damn?  I think we’re maybe being a little optimistic here.

Twenty acts who should have made it in America, twenty acts Americans missed out on, not everything’s made in America … there are lots of titles that don’t need to include the rather silly promise “yet.”

Wednesday, 6 August 2014

The Power of Two


Rolling Stone’s Readers’ Poll on The 10 Greatest Duets of All Time definitely reminds us that magic can happen when two great musical forces are combined.  With the exception of Sonny and Cher - and (sort of) Marvin Gaye and Tammi Terrell - most of the recordings listed were one-offs, which only adds to their appeal. 

Personally, I’m kinda partial to Bowie’s duet with Bing Crosby on The Little Drummer Boy, but I get why it’s not on the list.  A lot of Blues greats have done the duet thing too:  Hooker, Buddy Guy, B.B., Clapton.  Lots of magic on those records.

Anyway, you gotta dig it when great artists who respect each other collaborate.  You can almost feel their joy.

Tuesday, 15 July 2014

If You Remember The 60’s …


Rolling Stone needs to come up with shorter titles for their articles, man.  20 Albums Rolling Stone Loved In The Sixties That You’ve Never Heard makes for a title that spills onto a second line!

Anyway, it’s an interesting list, and a bit of a memory test.  I mean, who remembers the rumours that The Masked Marauders were The Beatles plus Dylan and Jagger?  Not me.

A few bands I forgot about without any noticeable downside:  Cat Mother and the All Night Newsboys, Bonzo Dog Doo-Dah Band, for example (talk about long titles!)

A few that live up to the article’s title (I have never heard of them):  Autosalvage, The Good Rats, The Insect Trust, Wild Man Fischer.

Maybe we never heard of these artists because their names were so, like, nuts?  More than a few seem to have existed inside Frank Zappa’s orbit, I notice.  Actually, I do remember Wild Man Fischer – but I forgot on purpose.

Not sure why Wildflowers by Judy Collins is on the list though.  Who doesn’t remember Both Sides Now?  Ditto Those Were The Days by Marky Hopkin.

Tuesday, 24 June 2014

The Millennial Barrier


Some albums transcend their eras, says Rolling Stone – and some don’t.  The 40 Albums Baby Boomers Loved But Millennials Don’t Know (whew! What a long Title!) list includes some great music that somehow hasn’t made it across the generational divide.

Some of the albums listed are shocking.  I mean, how can Cocaine or Money For Nothing be played to death on the radio and not be known?  Ditto entries by ZZ Top, Steve Miller or Bob Seger.  Yeah, I know we’re talking albums not singles, but sheesh!

Many albums listed did not surprise me, though.  I know they were very popular, but nothing about Roberta Flack or The Commodores sounds very transcendent to me.  And Rick Wakeman’s Journey To The Centre of the Earth is described by RS as bombastic and overwrought, so I’m guessing they’re not really recommending it?

Alice’s Restaurant was a joy in 1967-8-9, but simply not relevant by, say, 1972, so no surprise there.  The Concert for Bangladesh?  Listen, RS, everyone bought it because it was George and because of the all-star lineup.  But nobody played it more than once.

A lot of the stuff listed I’d be hard pressed to say I miss – Moody Blues, Supertramp, Phil Collins … they just didn’t age very well.

Nice to see Johnny Winter and Humble Pie listed, though.  I never understood why they don’t get more coverage on the classic rock radio playlists.  And as Jack White, Joe Bonamassa, Gary Clarke Jr. and The Black Keys have proven, blues rock just won’t go away, so they should be heard.

Friday, 20 June 2014

The Fab Archives


Why is it that we seem to get some “new” Hendrix material every few years, but we can’t get access to old Beatles material?

Rolling Stone’s Six Best Out of Print Beatles Releases nicely illustrates that there is some great stuff out there we should have.  Some concert footage, some TV appearances, all the videos the made.  Some of it maybe not so great, but some of it vintage Beatles magic.

I remember watching Around The Beatles when it aired in Canada and it was pure joy from start to finish, so I won’t argue with Rolling Stone’s argument that they should all be brought back.  When I watch Anthology, I certainly wish that their dozens of TV performances could be brought together in a package.  And I’ve heard enough snippets to know the Christmas Album would be a treat.  And, as for The Beatles Video Collection?  There’s just no excuse.

But returning to Anthology, there’s enough of Let It Be captured there to remind how painful it was to watch that movie when it came out in 1970.  I don’t think I could do it again.

But bring the rest of it back, please.  How about a ‘Beatles Best Concert Performances’ DVD?  How about a ‘Beatles on TV’ DVD?  Come on, lawyers, go git ‘er done.

Tuesday, 20 May 2014

More Hits Than Hats


Hey Rolling Stone!  What’s with the lists of twenty all of a sudden?  The lists were always ten, right?  Or, like if it was epic, 100.  Now we’ve got this rash of twenty? 

Anyway, Rolling Stone’s list of 20 Greatest Two-Hit Wonders is curious because, really, most of us probably only remember one song.  Maybe that’s just age and memory.  Maybe it’s corporate playlist rendering.  I mean, RS does tell you the chart position, so facts are on their side.

Before you look on the link, though, test yourself.  Do you know of a second hit by Quiet Riot, Janis Ian, Golden Earring, ? and the Mysterians, A-ha, Animotion?

Me neither.

There were a couple of exceptions for me:   I did remember both Tone Loc songs, and (when prompted) both Left Banke tunes.  And, if I’m honest, both Men without Hats songs.

Too bad some of these acts disappeared so fast.  After calling One-Hit-Wonder a derisive term, the article introduces the list by saying here are some acts “who managed to stick around a little longer.”  Faint praise, and a lot of these bands deserved better.

Success is a fickle mistress.