Almost Fab

Speaking of songs that shoulda been recorded by The Beatles, there have been quite a few down through the years that engendered a “that’s a Beatles tune” reaction.  For me, anyway.

Sometimes it’s the melody, sometimes the chords, or the overall feel, or the sound of the singer’s voice.  It can vary.  It happened a lot in 70-71 when I was, like many (most?) people, still ticked about their breakup.

Examples include:

Cheap Trick’s If You Want My Love You Got It

Argent’s Hold Your Head Up

Gerry Rafferty’s Baker Street, and his Steeler’s Wheel’s Stuck In The Middle With You

America’s Goldenhair – guess that was the George Martin production?

Yes’s Love Will Find A Way

Pretty much everything by Badfinger

Then of course, you had the solo work by the four fabs.  On the stronger songs, you couldn’t help but wish for a better backup band.  Well, I couldn’t anyway.

Transformer Man

Interesting list from Gibson on Shocking Detours by Major Artists.  You know, like, where did that come from?  That’s not what I expect or want to hear.  How dare he/she/they?  That kind of thing.

Here’s the list:

Neil Young – Trans

Stones – Their Satanic Majesties Request

Todd Rundgren – With a Twist

Lou Reed – Metal Machine Music

David Bowie – Young Americans

Sly Tone – There’s a Riot Goin’ On

Kiss – Music from “The Elder”

Springsteen – Nebraska

Yes – 90125

Johnny Cash – American Recordings

Well, some of these records certainly did shock.  Some were dramatic departures from what you’d expect.  Maybe some were even bad ideas.

Not all of ‘em, though.  I mean, disco was in full swing and Bowie morphed from Ziggy Stardust to white R&B.  I don’t remember anyone being too surprised, especially since he did it with such credibility.

And Trans?  By 1982, could anyone seriously be shocked by anything Neil Young did?  The same could be said about Rundgren and Springsteen – or Cash for that matter.  The word fearless comes to mind, and it could be applied at any point in their careers.

As for Satanic Majesties, well, it was just a bad idea.  The Stones were obsessed with The Beatles.  Everyone was.  They did their best Pepper , and just didn’t have it in ‘em.  It’s not who they were.  Shocking?  Ya, shockingly bad.  But a departure?  Nope, we all could see it coming.

The List of Indulgences

Sounds rather medieval church-like, don't it?

Rolling Stone has this list of The Best Prog Rock Bands Of All Time. And, you know, I'm a fan and all, and when the only alternative was disco I was a really big fan, but self-indulgence is a hallmark of prog rock.

Here's the list:
1. Rush
2. Pink Floyd
3. Genesis
4. Jethro Tull
5. King Crimson
6. Yes
7. Emerson, Lake and Palmer
8. Tool
9. Mars Volta
10. Dream Theater

See what I mean about self-indulgence? Lots of interesting music and great musicianship on this list, but also rather too much "because we can." ELP best representing that attitude - or is it worst?

By the way, I keep seeing definitions of prog rock that talk about a big jazz influence, but I just don't hear it. Sure there's a lot of improvisation in jazz, but that's true of blues and rock too. Folk, for that matter. I hear lots of classical and a bit of folk influence in most prog rock. Jazz, not so much.