Set The Controls For The Heart Of The Sun

Every year when I see who is getting inducted into the Rock and Roll Hall of Fame, my reaction is either “it’s about time” or “why them?”  Maybe sometimes both.

This year, I got to thinking: what makes a band deserving anyway?  So I listed my 10 favourite bands and looked for the similarities.  Here’s the list:  The Beatles, Led Zeppelin, Cream, Deep Purple, AC/DC, Pink Floyd, Queen, The Who, The Rolling Stones, CSNY, The Kinks, Dire Straits, Jethro Tull, U2.

OK, that’s more than 10, but nevermind.  And I know your list is different and that’s cool.

But what sets them apart?  Genre/subcategory?  Nope.  Great musicianship?  Mostly, but not – with the greatest respect to those listed – universally.  Killer song writing?  It helps, I suppose.  Clothes?  Just kidding.

Maybe it’s a combination of curiosity and fearlessness.  I tend to think of my favourite artists as explorers, trying new ideas, poking around in unfamiliar places.  Even after they’ve forged their own sound and persona, there’s a restless drive to seek out the new and see what it has to offer.

That drive, that curiosity, that willingness to try something new is why the music of these bands still sounds fresh and exciting.  That spirit of exploration keeps the music young.

I May Make You Feel, But I Can’t Make You Think

Prog Rock is an interesting genre.  Sometimes a band (or song) can blow you away with its imagination and musicianship.  Sometimes a band (or song) can leave you feeling, “What are they trying to prove?”

And reactions tend to be both extreme, and extremely personal.  One person’s “Man, this is so good,” can be another’s “How can you even listen to that?”

My favourite bit of self-indulgent showing off is Thick As A Brick by Jethro Tull.  You may agree, laugh uproariously, or hurl as you see fit, but for me it’s an amazing tour de force, as complex as any classical symphony or opera.

The transitions from section to section (and there are a lot of them) are seamless.  The intricacy of the arrangement is impressive.  And the tightness of the band is second to none.

Perhaps what’s most impressive, though, is that those cats played the entire piece live (I saw them do so in 1973), and they were just as tight as the record.

Love it or hate it, the one thing prog rock will do is impress you with the skill of the musicians.

Passion Plays

The Rolling Stone readers’ poll on the 10 Best Prog Rock Albums of the 70’s has it all: songs of symphonic length, self-indulgent morality plays, virtuosity, technical wizardry – and absolutely no dancing.

And yes, I had most of these albums.

Prog rock was big in 70’s; probably too big.  So it’s curious that only 5 bands scooped up all 10 spots (2 each for Rush and Genesis, with the grand prize going to Pink Floyd with 4).  Or maybe not, because the albums listed were huge.

Definitely not:  ELP, Focus and Mike Oldfield didn’t age as well.

I might have swapped out Floyd’s Animals for Jethro Tull’s A Passion Play, though.  Tull’s sense of humour with the “Story of the hare that lost his spectacles” bit was kinda funny.  And let’s face it, Animals was hard work.

Can’t Make You Think

Gibson’s 10 Great Concept Albums proves that the critics weren’t always right, and that the music wasn’t always pretentious.

OK, maybe that second bit is a stretch.

Here’s the list:

 1. The Who - Tommy

 2. Jethro Tull – Thick as a Brick

 3. Drive-By Truckers – Southern Rock Opera

 4. The Beatles – Sgt. Pepper’s

 5. Green Day – American Idiot

 6. Alice Cooper – Welcome to My Nightmare

 7. Dream Theatre – Metropolis Pt. 2 …

 8. Bowie – Ziggy Stardust

 9. Rush - 2112

10. Pink Floyd – Dark Side of the Moon

All in all, a predictable list, though if the article had made a hard distinction between a concept album and a rock opera, it might have been more interesting.

Then again, in terms of success – not to mention astonishment that the band could actually perform it live – you can’t really ignore Tommy.  Or Thick as a Brick, or …

There’s a pretty broad spectrum here in terms of adherence to a “concept.”  At one end you’ve got a tightly knit story (Tommy) – or a single song, actually (Thick as a Brick).  At the other end you’ve got a loose collection of songs that, according to John Lennon, worked as a concept “because we said it worked.”

Anyway, it’s a fine list of masterpieces.  Pretentious?  Maybe.  But isn’t music a form of story telling, and if the story is a long one …

Riffs Across the Water

New Musical Expresses 50 Greatest Guitar Riffs of All Time is another reminder for me that my culture is more rooted on this side of the Atlantic.

Lots of the expected suspects:  Back in Black, Smoke on the Water, Sunshine of Your Love, Voodoo Child, You Really Got Me, Satisfaction, Cinnamon Girl, Johnny B. Goode, and so on.

Glad to see Rebel Rebel made the cut.  Ditto Song2, Get It On, and Seventh Nation Army.

Speaking of The White Stripes, the list serves up a reminder (to me, anyway) that lots of great guitar-based music continued to be made after 1990.  Not enough, but lots.

That said, and with no disrespect to some of the newer bands listed, but no Springsteen?  No Creedence?  No Dire Straits?  No Tull?  No Zeppelin?  At all?  No Beatles?  Really?   Shouldn’t they have, like 6 or 7 on this list?  Hello?

Also, I get the feeling that the list is trying too hard to spread the joy; one for the Stones, one for the Kinks, one for him, one for her, one for them, one for you, one for me …   Fine, but I’m not sure I Can’t Explain is the Who’s best riff, or The Streets Have No Name the best from U2.  And yes, Free Fallin’ gets the audience singing, but is it really Tom Petty’s best riff?

Maybe these tunes just went better with the pictures.  The NME articles seem to be more about the pictures.

Been Down So Long It Looks Like Up To Me

With a nod to the great/ongoing recession, Gibson has a list of 10 Songs For Hard Times.

Here's the list:
Patches, by Clarence Carter
Nobody Knows You When You're Down and Out, by Derek and the Dominos
Coal Miner's Daughter, by Loretta Lynn
Busted, by Ray Charles
Inner City Blues, by Marvin Gaye
Aqualung, by Jethro Tull
Kill The Poor, by The Dead Kennedys
Waitin' on a Train, by Jimmie Rodgers
No Woman, No Cry, by Bob Marley
Why I Sing The Blues, by B.B. King

Lotta time, ground and genres covered by this list.  In fact, not sure many of these tunes live up to the genre in the title "Poor Man's Blues: 10 Songs For Hard Times."

A little curious about Aqualung, 'cause frankly I never saw him as a sympathetic character.  Surprised not to see anything by the likes of Woody Guthrie or Pete Seeger.  I might have added:
Hobo's Lullaby, Woody or Arlo Gurthrie's versions
Match Box Blues, anyone's version, including (especially?) Ringo's
House Rent Boogie, by John Lee Hooker
Soon As I Get Paid or Crapped Out Again, by Keb Mo

What's surprising, really, is that there aren't a lot more current songs out there.  I'm pretty sure people are suffering, and they appear to be more than a little ticked off.

Where's the musical expression, people?

The List of Indulgences

Sounds rather medieval church-like, don't it?

Rolling Stone has this list of The Best Prog Rock Bands Of All Time. And, you know, I'm a fan and all, and when the only alternative was disco I was a really big fan, but self-indulgence is a hallmark of prog rock.

Here's the list:
1. Rush
2. Pink Floyd
3. Genesis
4. Jethro Tull
5. King Crimson
6. Yes
7. Emerson, Lake and Palmer
8. Tool
9. Mars Volta
10. Dream Theater

See what I mean about self-indulgence? Lots of interesting music and great musicianship on this list, but also rather too much "because we can." ELP best representing that attitude - or is it worst?

By the way, I keep seeing definitions of prog rock that talk about a big jazz influence, but I just don't hear it. Sure there's a lot of improvisation in jazz, but that's true of blues and rock too. Folk, for that matter. I hear lots of classical and a bit of folk influence in most prog rock. Jazz, not so much.

The Bonzo List

Well, I've found another list, the Rolling Stone Best Drummers Of All Time list.

Pretty good, and I guess predictable. Here it is:

1. John Bonham. Not a surprise. Page's riff's defined the songs, but Bonham held them together.
2. Keith Moon. Not a surprise, though I've always thought Moon was more famous for being nuts than for his drumming.
3. Neil Peart. Well, he wins on the size of his kit anyway.
4. Dave Grohl. Had to look him up to learn that he drummed for Nirvana and Foo Fighters.  Showing my age, I guess, but two great bands.
5. Ringo. Nice surprise. Just by association, he deserves be there. And for being Ringo.  And for figuring out drum parts for, say, Maxwell's Silver Hammer.  See? There is justice.
6. Buddy Rich. I suppose.
7. Stewart Copeland. Well, he helped changed the beat, and The Police were huge, so sure.
8. ?uestlove. ???
9. Ginger Baker. No. Much, much higher. Anyone who can solo over top of Clapton and Bruce (x2, since he sang and played bass solos at the same time) and still keep the song together is #1 or 2.
10. Michael Shrieve. OK, so he played one of the most famous drum solos of all time. So did Gene Krupa. Where's he?

Speaking of ... where is Ian Paice? Mitch Mitchell? Clive Bunker?

Anyway, it's all good. Most music, especially rock, is all about the beat. All decent drummers are worth their weight in gold.

What A Concept

Gibson has another list, this one of the Top 10 Concept Albums.

I guess it's no surprise that Dark Side of the Moon or Sgt. Pepper's Lonely Hearts Club Band are on there, maybe just the positions.  They certainly were the biggest selling ones on the list.

Can't say I've ever heard of Southern Rock Opera, though.

And speaking of rock opera's, how does Tommy get on the list?  Isn't there a difference between a concept album and a rock opera?  Maybe that particular pretention (opera) is just going too far.  After all, not many artists had the nerve (probably a good thing).

So, on second thought, Tommy does belong there.  The list is already pretty weak, so blurring the distinction and including rock operas under concept albums is probably a good idea.

Confession:  I'm not disappointed that The Wall was excluded.  It might have some of Pink Floyd's best tracks on it, but it also has some of their most unlistenable rubbish.

Confession #2:  I'm secretly glad to see Thick As A Brick did so well.

Take Another Little Piece of My Heart

Last week I saw a show billed as "Woodstock Festival Tribute."

The featured tribute artists were Melanie, Santana, CCR, Janis Joplin, Joe Cocker, CSNY, and Jimi Hendrix.  Also on the bill were The Doors and Jethro Tull.  Curious, really, since these two acts were not at Woodstock.

As it turned out it didn't really matter.  CSNY only did Neil Young solo songs - all from after August, 1969.  Tull and Santana also featured songs that couldn't have been performed at Woodstock.

But we live in an age when minor details and facts don't seem to matter.

Bending the truth a little might have been a smaller offence if the show had been good, but it was just OK.  Some good, some more bad.  When you find yourself thinking, sheesh, even the wig is bad, then you know it's pretty bad.

At least they didn't try and re-create the festival itself.  You know, warnings about bad acid and would you “please get down off the towers.”

I guess I made this point before, but: cover bands yes, tribute acts, I dunno.  Actually I do; no thanks.  I get manipulated enough as I go through life without paying for it.  Unless the act is mind-blowingly accurate, it's not entertainment, it’s just creepy.

Rolling Stone Top 500

This is one of those lists that invite debate, so let me wade in ...

First of all, it's a ridiculously tough job.  The 500 Greatest Songs Of All Time?  My "desert island" playlist has about 900 songs on it - and my list is far less inclusive than Rolling Stone's.

And how do you please everyone, with so many sub-genres and musical tastes?  You can't.

That said, I think they did a pretty credible job.  Most of the songs are deserving, whether you like the genre or not, whether you want to quibble about the relative placement or not.  And, looking at the people who created the list, you'd have to agree they know what they're talking about.

Some random reactions:

As Expected:
The Beatles topped the list with the most entries and the Stones came second.

The 60's dominate the list and the 70's came second.

Not Expected But Not Surprised:
Dylan came third in terms of number of entries and Elvis came fourth.

Not Expected But Pleased:
Hendrix had seven songs on the list.  His influence is huge, but he gets so little airplay, and I always worry that the ongoing posthumous exploitation takes away from his legacy.  It's nice to see the experts know better.

Disappointed:
I suppose ABBA had to get a song on the list, but it's still sad.

The Beach Boys are over-represented with seven songs.  And Good Vibrations does not beat any of The Beatles Songs on the list.  I have never undestood why so many people think this song is so good.

And call me greedy, but The Beatles should have had more songs on the list.  Where is:  We Can Work It Out?  I Feel Fine?  Nowhere Man?  for example.

Only six Led Zeppelin?  And Sly Stone gets six?  Please!

Does Free Bird really have to be on the list?  I never got that one either.

Only one Bonnie Raitt song?

No Jethro Tull.  At all?

Favourite Albums - Part 1

I stumbled across a Beatles forum a while ago,and the burning question under discussion was, "What's your favourite Beatles album?"  Like it's possible to decide, or consensus could be achieved.  So I typed "the last one I heard" and moved on.

But like a bad TV commercial, the idea wouldn't go out of my head.  So, against my better judgement, here is my list of favourite albums (excluding the Greatest Hits, since that would be cheating).

AC/DC - Back In Black.  Easy.

The Band - Music From Big Pink.  They could have stopped there.

The Beatles - yes.

Bonnie Raitt - Luck of the Draw.  Tough call.

B.B. King - Deuces Wild.  I know it's cheating, but you get his greatest hits repackaged with some great guest artists.

The Cars - A tie.  The Cars and Candy O.

Cat Stevens - Another tie.  Tea for the Tillerman and Teaser and the Firecat.

Colin James - National Steel.  More acoustic and less big band, please.

Cream - Wheels of Fire.  'cause it has two discs.

The Cult - Electric.  In case you care.

Pink Floyd - Wish You Were Here.  Maybe it's the cover.

Deep Purple - Another tie.  Shades of ...  and Fireball.  Not Machine Head, not that I don't like that.

Dire Straits - yes.

Elvis Costello - My Aim Is True.  It was.

Eric Clapton - Crossroads.  OK, that's cheating.  So From the Cradle.  No wait!  Me and Mr. Johnson.  Wait!  ...

The Guess Who - Share the Land.  Just to be contrary.

James Taylor - Sweet Baby James.  Unsurpassable.

Jeff Beck - nope

Jethro Tull - Mood dependent, but let's say Stand Up.

More later.