Oh, Just Nevermind

Well, they say your musical tastes are pretty much chiseled in stone by the age of 16, so no big surprise that I only knew the names of 27 of Rolling Stone's 100 Best Albums of the 90's, the decade when I left my 30’s – still kicking – and entered my 40’s, more or less screaming, I guess.

I mean, I probably recognize 80 or so of the artists by name, but the actual album names?  A paltry 27.  And that’s based on, you know, name recognition on the radio (possibly before I changed the station) or browsing for CD’s in the record store.

Remember CD’s?  In stores?

27.  Recognized.  By name.  Ownership?  Well, less than that.  A lot less.  And I bought a ton of CD’s in the 90’s.  A boatload.

Look:  I wasn’t entirely out of it.  I had some Nirvana, Petty, Oasis, Neil Young, REM, U2 and Red Hot Chili Peppers.  That’s not so bad, right?  And, you know, I kinda liked Pearl Jam and Soundgarden and Radiohead and Metallica.  That’s good, isn’t it?

And of course I love Dylan and Springsteen and The Stones, and they’re on the list (although come one, RS, Bridges To Babylon and not Voodoo Lounge?  Really?) – so, I was, like, not in a cave or anything.

But 27% sort of makes it official: I had given up.  I had grown old.  My score on the Top 10 (60%) is cold comfort.  Crap.

I always knew that rock/pop is for young people, but retreating to “well the music was better in the 60’s (or 70’s (for the most part), or the 80’s (at least for a time)) – even though it was – is, is, is oh nevermind.

No point in raging against the machine.  I’m not ready to die and I know I’m not out of time.   OK Computer, how we gonna handle this?

Memories

Rolling Stone’s 25 Greatest Rock Memoirs makes for, um, an interesting read.  It points out that the plot is mostly the same (big dreamer makes good, lives the life, then the world comes crashing down), then gets you thinking about Elizabethan revenge tragedies.  Hmmm …

Their list includes:

Steven Tyler: Does The Noise In My Head Bother You?

Boy George: Take It Like A Man

Anthony Kiedis: Scar Tissue

Ronnie Spector: Be My Baby: How I Survived Mascara, Miniskirts, and Madness

Tommy James: Me, The Mob and the Music

Chuck Berry: The Autobiography

David Bowie: Moonage Daydream: The Life and Times of Ziggy Stardust

Paul McCartney: Many Years From Now

Slash: Slash

Keith Richards: Life

Bob Dylan: Chronicles, Volume One

And the winner of the longest title goes to …  Ronnie Spector.  Bowie should have tried harder.

Shortest title:  Keef.  Most obvious:  Slash.

2012 was a busy year for rock memoirs, so a year from now this list might look different (a few are on my ‘to be read” pile).

Some people will be surprised to learn that rockers can read and write, but I’ve read a few of the books listed, and enjoyed them.  Actually, there’s one exception; Chuck Berry’s book was disillusioning.  Mortal folk don’t dig it when their heroes turn out to be jerks.   

Then again, that’s all part of the Elizabethan revenge tragedy thing.  Like, the article compliments McCartney by saying he did less to f**k up his good luck than any rock star who ever existed.  Glowing praise, indeed.

Anyway, a few new reading suggestions.  Hopefully there are no pie recipes.

They Got Rhythm

Gibson has this 10 Great Rock Rhythm Sections list.

What Elvis said about people applies to bands too: Rhythm is something you either have or don't have, but when you have it, you have it all over.

Rhythm is what holds it all together. Rhythm is fundamental. Rhythm is what it's all about.

Here's the list:

1. John Paul Jones and John Bonham, Led Zeppelin
2. Geddy Lee and Neil Peart, Rush
3. Flea and Chad Smith, Red Hot Chili Peppers
4. Les Claypool and Jay Lane, Primus
5. Bill Wyman and Charlie Watts, The Rolling Stones
6. John Entwistle and Keith Moon, The Who
7. Tim Commerford and Brad Wilk, Rage Against the Machine
8. Jack and Meg White, The White Stripes
9. Mike Dirnt and Tre Cool, Green Day
10. P-Nut and Sexton, 311

I might have added Larry Mullen and Adam Clayton from U2, or Ian Paice and Roger Glover from Deep Purple - and I definitely would have added Paul and Ringo.  Yes, The Beatles did fancy, trippy, pretty and symphonic, but they also rocked.

Not to slag Mr. Jones, but I wonder if he didn't get lost in John Bonham's thunder.  Not sure if Zep's rhythm section wasn't just Bonzo, and John Paul Jones was along for the ride.

Based on what I read in Keith Richards' autobiography, they same might be said about Bill Wyman. Keef waxes poetic about Charlie, but his comments on Bill Wyman are basically limited to:
1. we let Bill into the band because he had a Vox AC30 amp, and
2. then ( a few hundred pages later) Bill left the band

Anyway, great list, because it reminds us about the primary element.

Bottom's Up

Gibson has this 10 Greatest Bass Riffs of the Rock Era list.

Just a little disturbed about the "rock era" bit. Anyway, here's the list:

Beatles, Come Together
Pink Floyd, Money
Primus, Tommy The Cat
The Who, The Real Me
Queen, Under Pressure
Led Zeppelin, Lemon Song
RCHP, Give It Away
Lou Reed, Walk On The Wild Side
Sly & etc., Thank You
Cream, Sunshine of Your Love

Well, grateful Under Pressure made it with that classic two note hook. Doubly grateful that Fleetwood Mac's Dreams didn't make it with that two note mind-numbing ... well, not my favourite Fleetwood Mac v02 song.

The usual suspects appear on the list. McCartney, Flea, Bruce, Waters and Entwistle all deserve to be there, and the songs chosen fit the constraints of the list title.

Except for The Lemon Song. The Gibson writer doesn't mention the main riff of the song, which I bet was written by Page and not Jones. But he gushes over Jone's bluesy semi-soloing. Fine, but now we're not exactly talking about riffs, are we?

Wouldn't Dazed and Confused have been a better choice? The bass riff is the song's signature, and the song was Zep's signature live piece. And who cares if Page or Jones wrote it. That bass hook rivals, Sunshine of Your Love and Come Together any day.

Anyway, fun list. It shows that the bass may be part of the rhythm section, but it can still carry a tune - and define the song.

Speaking of which, and where is War's Low Rider?

Under Cover

Another intriguing list, Gibson's Top 50 Cover Songs of All Time

No surprise to me, #1 is Jimi Hendrix's version of Dylan's All Along The Watchtower. The old saying about doing a cover is, "be true to the original, and make it your own." Well, Hendrix stole this song. It's his song now, not Dylan's.

Some others that come close to theft are:
#10 - Aretha Franklin's version of Respect (oh, did Otis Redding write that?)
#20 - The Who's version of Young Man Blues (who is Mose Allison actually?)
#23 - The Black Crowe's version of Hard To Handle (who knew Otis wrote southern rock?)
#49 - CCR's version of Suzie Q (that song defined them)

The songs that come closest to the maxim (balancing respect with a fresh sound) are:
#2 - The Beatles version of Twist And Shout
#7 - The Byrd's version of Mr. Tambourine Man
#10 - Elvis's Hound Dog
#27 - Talking Head's version of Take Me To The River
#29 - Elvis's Blue Suede Shoes (sorry Carl)

In the "decent cover ... interesting take" category, I'd place:
#13 - Stevie Ray Vaughan's cover of Hendrix's Little Wing
#18/#24 - The Stones' covers of Not Fade Away and Love In Vain
#28 - Red Hot Chili Peppers' version of Higher Ground

In the "some songs just shouldn't be covered" (and therefore should not be on the list) category, I'd put:
#17 - GNR's molestation of Dylan's Knockin' On Heaven's Door
#26 - Ike & Tina Turner's cartoon version of Proud Mary
#33 - Van Halen's disfiguring of Oh Pretty Woman
#35 - Aerosmith's criminal rendition of Come Together

Interesting, isn't it, that a bunch of these artists are on the list as coverers and coverees: The Beatles, Hendrix, The Stones, CCR, and Otis (not mentioned above, but he is).

Interesting, too, that so many songs on the list are rediscovering of old blues tunes.

Bottom's Up

Well, it turns out there's another list, the Gibson Top 10 Bassists Of All Time. I like this one better. Here it is:

1) Paul McCartney. Yes. That's more like it.
2) James Jamerson. Someone was listening.
3) John Entwistle. A better placement.
4) Cliff Burton.
5) Geddy Lee. About the same as the Rolling Stone list.
6) Jaco Pastorius. Ditto. Guess I better go find out about this guy.
7) Les Claypool. Double ditto.
8) Flea. Hmmm. Rolling Stone had him better placed near the top.
9) Chris Squire. Not a big Yes fan, but he probably belongs on the list.
10) John Paul Jones. Well, 10 is better than 6.

Only major quarrel is no Jack Bruce. But overall, a much better list, at least from the standpoint of this Gibson ES-335 player.

Top Bottoms

Got your attention?

Actually it's another list: the Rolling Stone Top 10 Bassists Of All Time.

Here's the list:
1) John Enwistle. Not surprising. Not a bad choice.
2) Flea. Cool.
3) Paul McCartney. #1, people. #1. Fancy bass work, while singing, while winking at the girls.
4) Geddy Lee. I've always been lukewarm towards Rush, but they all deserve respect for sure.
5) Les Claypool. Couldn't say.
6) John Paul Jones. Really, I think any bass player would have done. Don't you?
7) Jaco Pastorius. Couldn't say.
8) Jack Bruce. #2. Soloing while singing, & etc.. I know: I've said it before.
9) Cliff Burton. Couldn't say. Guess I don't know my bassmen.
10) Victor Wooten. Really, I don't seem to know them!

Except to say ... where is James Jamerson? Where is Bob Babbitt? Where is Donald Duck Dunn? Motown and Memphis built their sounds on these guys, and everyone borrowed from those. These are shocking omissions.

Someone should get to the bottom of this.