You’ll Be Laughing

 

I have a playlist called Rock and Roll Heaven (it’s short; about a hundred songs).  The other night when I was listening to it, the first three songs that played were:

1. Be My Lover by Alice Cooper 
2. John Lennon’s cover of Stand By Me 
3. Permanent Waves by The Kinks 

 

Aside from reminding me that the 70’s wasn’t all disco and prog wankarama, what do they have in common?  Well, if you made a Venn diagram of the three artists, you’d find humour in the centre.

 

Sure, John gives one of his overpowering performances where you believe Every. Single. Word.  

 

But John was the funniest guy in a very funny band called The Beatles who were constantly amused that we all took them so seriously.  Alice Cooper could never be accused of taking himself seriously.  Ditto Ray Davies.

 

Yes, a lot of us are still hopeful that music can change the world, but it’s a healthy reminder that, although it might not be a joke, Rock and Roll really is just a bit of fun.

I Put A Time Bomb In Your Submarine

Let’s play a game.  Picture a band doing a long jam that kinda summarizes everything that’s au courant, you know, everything that’s going on around them.

OK, when I say au courant, I mean sometime around 1970, since that’s about where I’m stuck.

Anyway, imagine them doing a really good job, so good that you find yourself thinking, “gee, that bit could be Zeppelin, and that bit sounds like The Moody Blues, hmm was that Cream or Deep Purple, maybe Black Sabbath?”

I came up with Alice Cooper’s Halo of Flies.  How about you?

Baby Please Don’t Go

Here’s a list that reminds us there is a lot of wonderful music outside the ridiculously short playlists of commercial radio:  Gibson’s 10 Great Bands That Ended Too Soon.

Predictably (and correctly) the list includes the likes of Nirvana, The Doors and The Clash, but it also includes bands that are all but forgotten, such as Alice Cooper, New York Dolls, J. Geils and The Faces.  These bands don’t get near enough airplay.

My only complaint is: what about Cream?  Talk about a great band that didn’t last long enough!  If Clapton had died in a plane crash the night before their final U.S.  concert in 1968, we’d still be weeping.

Nice to see The Beatles on the list, though.  Even though their body of work dwarfs everyone else mentioned, nothing wrong with some self-indulgent, “ya, but they could have given us so much more” thinking.  It’s only love.

Rebel Rebel

So Rolling Stone compiled a list of Rock & Roll Rebels, and introduces it with a smorgasbord of context.  Rebels are: bad boys, sensitive, revolutionaries who don’t understand why things have to be the way they are. 

Not sure that gives me a clear picture of what a rock & roll rebel is, but here’s their list:

Plastic People of the Universe, Fela Kuti, Elvis Costello, MC5, Peter Tosh, Sinead O’Connor, Kurt Cobain, Victor Jara, Jerry Lee Lewis, Public Enemy, Marilyn Manson, Steve Earle, The Clash, Sex Pistols, Johnny Cash

Neither does the list.  Some of these folks aren’t really rockers, although you can’t dispute the rock and roll attitude.

But rebel against what?  The government, parents, the “establishment”, societal norms, expectations, good taste?  Rebel consistently, or once upon a time?

Depending on your definition, there are lots of other candidates: Lennon, Richards, Dylan, Alice Cooper, Bowie, Zappa, Morrison, Hendrix …

Maybe the definition doesn’t matter, ‘cause at bottom rock and roll is about rebellion, isn’t it?  As Brando would say, “what’ve you got?”

Can’t Make You Think

Gibson’s 10 Great Concept Albums proves that the critics weren’t always right, and that the music wasn’t always pretentious.

OK, maybe that second bit is a stretch.

Here’s the list:

 1. The Who - Tommy

 2. Jethro Tull – Thick as a Brick

 3. Drive-By Truckers – Southern Rock Opera

 4. The Beatles – Sgt. Pepper’s

 5. Green Day – American Idiot

 6. Alice Cooper – Welcome to My Nightmare

 7. Dream Theatre – Metropolis Pt. 2 …

 8. Bowie – Ziggy Stardust

 9. Rush - 2112

10. Pink Floyd – Dark Side of the Moon

All in all, a predictable list, though if the article had made a hard distinction between a concept album and a rock opera, it might have been more interesting.

Then again, in terms of success – not to mention astonishment that the band could actually perform it live – you can’t really ignore Tommy.  Or Thick as a Brick, or …

There’s a pretty broad spectrum here in terms of adherence to a “concept.”  At one end you’ve got a tightly knit story (Tommy) – or a single song, actually (Thick as a Brick).  At the other end you’ve got a loose collection of songs that, according to John Lennon, worked as a concept “because we said it worked.”

Anyway, it’s a fine list of masterpieces.  Pretentious?  Maybe.  But isn’t music a form of story telling, and if the story is a long one …

Dream On, Dudes

Gibson has this list of 10 Power Ballads That Don't Suck.

Well, ya know, these are some pretty good songs:

Dream On – Aerosmith

Day After Day – Badfinger

Ballad of Dwight Fry – Alice Cooper

Bringin’ on the Heartbreak – Def Leppard

Don’t Look Back in Anger – Oasis

Learn to Fly – Foo Fighters

We are the Champions – Queen

More Than a Feeling – Boston

All the Young Dudes – Mott the Hoople

Purple Rain – Mr. Squirckle

The premise of the article is that power ballads “have gotten and undeserved bad rap,” that the “gaudy, bombastic videos” of the 80’s caused this otherwise charming genre to fall from grace.

Nonsense.  The videos just added visuals to the gaudy, bombastic music.

If you’re a fan of rock music (a dying breed, I know), you may point to the rise of rap or the laziness of grunge as the moment when the decline of rock began.  But a good case can be made against the power ballad.  Sorry, dudes, but the bad rap is deserved.

Re: the list.  They aren’t bad tunes, but they aren’t all really power ballads.