Showing posts with label new musical express. Show all posts
Showing posts with label new musical express. Show all posts

Friday, 26 April 2013

And One For All


I need to take a second pass at this…

So speaking of riffs, New Musical Express’s 50 Greatest Guitar Riffs of All Time is nothing if not democratic.  Everyone seems to get a turn.  You’ve got at least one each for rockabilly, British Invasion, psychedelia, hard rock, metal, glam, classic rock, new wave, euro pop, alt, grunge, hair, punk, thrash … have I missed anything?

And kudos to NME for spreading the joy, but really, shouldn’t the likes of AC/DC, the Stones, or U2 been on the list more than once?

And if you insist on limiting to one apiece, is Sunshine of Your Love really Clapton’s best riff?  Is Free Fallin’ Tom Petty’s?

As for the Stones, limiting it to one is kinda silly, so it might as well be Satisfaction.

Oh, and even though even one isn’t enough for them either, no Beatles?  At all?  Does NME have something against them?  For heaven’s sake!

I was delighted to see the likes of The White Stripes, The Kings of Leon and The Black Keys on the list, but some of the others just seem to be arbitrary.  I dunno.  When I read these lists I try not to let my peronal taste get in the way (really, I do), but I’m not sure what NME’s criteria was.  Influence?  Sales?  Recognizability?  Airplay?  Fairness and diversity?

Cool collection of pictures, though.

Postscript - best write-up goes to the one for Nirvana’s Smells Like Teen Spirit:  “Is the most remarkable thing about this riff that it killed hair metal or that it made Nirvana superstars against their will?  No, the most remarkable thing about this riff is that even after hearing it 87 million times it still sounds so visceral.”

Thursday, 11 April 2013

Riffs Across the Water


New Musical Expresses 50 Greatest Guitar Riffs of All Time is another reminder for me that my culture is more rooted on this side of the Atlantic.

Lots of the expected suspects:  Back in Black, Smoke on the Water, Sunshine of Your Love, Voodoo Child, You Really Got Me, Satisfaction, Cinnamon Girl, Johnny B. Goode, and so on.

Glad to see Rebel Rebel made the cut.  Ditto Song2, Get It On, and Seventh Nation Army.

Speaking of The White Stripes, the list serves up a reminder (to me, anyway) that lots of great guitar-based music continued to be made after 1990.  Not enough, but lots.

That said, and with no disrespect to some of the newer bands listed, but no Springsteen?  No Creedence?  No Dire Straits?  No Tull?  No Zeppelin?  At all?  No Beatles?  Really?   Shouldn’t they have, like 6 or 7 on this list?  Hello?

Also, I get the feeling that the list is trying too hard to spread the joy; one for the Stones, one for the Kinks, one for him, one for her, one for them, one for you, one for me …   Fine, but I’m not sure I Can’t Explain is the Who’s best riff, or The Streets Have No Name the best from U2.  And yes, Free Fallin’ gets the audience singing, but is it really Tom Petty’s best riff?

Maybe these tunes just went better with the pictures.  The NME articles seem to be more about the pictures.

Tuesday, 9 April 2013

Say It Ain’t So


Aw…   New Musical Expresses piece on 29 Rock Myths Exploded is just a party-pooping downer.

No stomach pumps? no song-induced suicides? no mud sharks? no ash-snorting? no doobies in the john at Buck House? no Mars bars? no ham sandwiches?

Aw, come on!  They were such great stories!

Anyway, how do we know Charles Mansion didn’t audition for The Monkees?  Did anyone ask Stephen Stills?  Are we sure Paul didn’t die?  And what about Dylan?  Are we really sure?

And dammit, we gotta believe Keef had those full-body blood transfusions!  It’s just part of who he is!

Who are these people at NME?  Of course Robert Johnson sold his soul to the Devil!  Everyone’s known that for, like, 75 years.

This is what’s wrong with the Internet.  People can just make stuff up!  Deniers!  Truthers!  Balloon-prickers!  Liars!

Good on Keith Richards, by the way, who, true or not, got himself involved in 2 ½ of the 29 myths.  1st place, even if it is in an alternative reality.

Thursday, 13 December 2012

Frankie Didn’t Come To Hollywood


I usually think of myself as more sympathetic to British than (North) American viewpoints, but New Musical Express's Top 100 Tracks of the Last 60 Years bit me in the backside.

Here’s the Top 20:
1. Joy Division – Love Will Tear Us Apart
2. Pulp – Common People
3. David Bowie – Heroes
4. The Beach Boys – Good Vibratons
5. New Order – Blue Monday
6. The Stone Roses – She Bangs The Drums
7. The Smiths – There Is A Light That Never Goes Out
8. The Specials – Ghost Town
9. Dizzee Rascal – Fix Up, Look Sharp
10. Oasis – Wonderwall
11. The Rolling Stones – Sympathy For The Devil
12. The Ronettes – Be My Baby
13. Michael Jackson – Billie Jean
14. Sex Pistols – God Save The Queen
15. The Beatles – A Day In The Life
16. The Cure – Boys Don't Cry
17. Bob Dylan – Like A Rolling Stone
18. The Beach Boys – God Only Knows
19. Madonna – Like A Prayer
20. The Stone Roses – I Am The Resurrection

Wow.  A ton of 80’s Brit Pop, only one Beatles, only one Stones.  A thin and curious collection of American acts.  Wow.

I know Americana, Roots, Whatever is my home base, but I always preferred to have it delivered by the English.  I thought I got the English.  I thought they got America(na).

Differing perspectives is what makes the world go round, but at the moment it’s my head that’s spinning.