Showing posts with label todd rundgren. Show all posts
Showing posts with label todd rundgren. Show all posts

Tuesday, 10 June 2014

I Stand Alone


Gibson’s 10 Great One-Man-Band Albums reminds us just how freakin’ talented some cats are.  Write the tunes, play all the instruments, produce it, mix it … sheesh!

Prince (we’ll call him Prince today), Dave Grohl, Steve Winwood, John Fogerty, Todd Rundgren – oh, and this English knight called Paul McCartney.  These guys stand as giants, even when performing as members of their respective bands.

Then they go and demonstrate that they might not actually need the help.  Hats off to ‘em, I say.

Rock is full of huge talents whose creative force drove not just the songwriting but the studio production – guys like Jimmy Page, Keith Richards and Pete Townshend, for example.  But they don’t stand on their own.  They need the presence of – not to mention the chemistry with – other musicians.

By the way, where is Stevie Wonder’s Innervisions?

Monday, 26 August 2013

Transformer Man


Interesting list from Gibson on Shocking Detours by Major Artists.  You know, like, where did that come from?  That’s not what I expect or want to hear.  How dare he/she/they?  That kind of thing.

Here’s the list:
Neil Young – Trans
Stones – Their Satanic Majesties Request
Todd Rundgren – With a Twist
Lou Reed – Metal Machine Music
David Bowie – Young Americans
Sly Tone – There’s a Riot Goin’ On
Kiss – Music from “The Elder”
Springsteen – Nebraska
Yes – 90125
Johnny Cash – American Recordings

Well, some of these records certainly did shock.  Some were dramatic departures from what you’d expect.  Maybe some were even bad ideas.

Not all of ‘em, though.  I mean, disco was in full swing and Bowie morphed from Ziggy Stardust to white R&B.  I don’t remember anyone being too surprised, especially since he did it with such credibility.

And Trans?  By 1982, could anyone seriously be shocked by anything Neil Young did?  The same could be said about Rundgren and Springsteen – or Cash for that matter.  The word fearless comes to mind, and it could be applied at any point in their careers.

As for Satanic Majesties, well, it was just a bad idea.  The Stones were obsessed with The Beatles.  Everyone was.  They did their best Pepper , and just didn’t have it in ‘em.  It’s not who they were.  Shocking?  Ya, shockingly bad.  But a departure?  Nope, we all could see it coming.

Wednesday, 14 November 2012

Oh My My


I saw Ringo in concert a while back.  It was pure joy from start to finish.

Can’t vouch for the rest of the crowd, but for me it wasn’t about seeing a former Beatle.  It was about Ringo.  Who cares if With A Little Help From My Friends isn’t as inspirational as Let It Be, if It Don’t Come Easy isn’t as deep in your consciousness as Nowhere Man, if – if you’re jaded enough to say it – he’s an also-ran in the vocal department?  Who cares?

What matters is watching a 72 year old bounding around stage acting like a 16 year old, having a ball, flashing peace signs – and meaning it.  He’s been doing this for over half a century, and it shows.  I mean: he’s not tired.  He’s professional.  He’s into it.  He’s still having fun, and it’s contagious.

Ringo is all about peace and love and rock and roll.  That’s a damn fine combination, and that’s what matters.  He just might be the coolest guy on the planet.