Showing posts with label pearl jam. Show all posts
Showing posts with label pearl jam. Show all posts

Thursday, 10 July 2014

I Can See Through Your Masks


Go have a listen to Eddie Vedder’s rendition of Masters of War at the Bob Dylan 30th Anniversary Concert.

            You ain’t worth the blood that runs in your veins

            Even Jesus would never forgive what you do

            All the money you made will never buy back your soul

Ouch!  It might not be the most popular protest song of all time, but it’s got to be the angriest, and Vedder’s performance is spellbinding.

Is that kind of anger still out there and I just can’t find it?  Don’t we have a few things to protest about?  The world don’t look too perfect to me, man.  Why aren’t we, like we used to say, telling it like it is?

Tuesday, 3 June 2014

Nevermind


One of the comments below Gibson’s 10 Great Grunge Bands article says it best: I miss hearing snarling guitars and adult subject matter on the radio.

Grunge was the last great innovation of the rock ‘n’ roll era.  A refreshing kick in the pants to self-indulgent 80’s hair metal, a rude finger to the fashion driven synth pop Kool-Aid that was dominating the airwaves, grunge reminded us that rock ‘n’ roll is punk.

The guitar playing was perhaps not as noteworthy as that served up by the guitar gods of the 60’s and 70’s, and the lyrics were a tad on the angry side, but even old fogey’s in their forties like me got it.

An all too brief revitalization, though.  Before long the corporate pop machine had driven us back to its predictable formula of catchy but forgettable nonsense. 

The next wave is overdue.  Hey, you snarling guitarists!  Pick up the torch!

Thursday, 2 May 2013

Oh, Just Nevermind


Well, they say your musical tastes are pretty much chiseled in stone by the age of 16, so no big surprise that I only knew the names of 27 of Rolling Stone's 100 Best Albums of the 90's, the decade when I left my 30’s – still kicking – and entered my 40’s, more or less screaming, I guess.

I mean, I probably recognize 80 or so of the artists by name, but the actual album names?  A paltry 27.  And that’s based on, you know, name recognition on the radio (possibly before I changed the station) or browsing for CD’s in the record store.

Remember CD’s?  In stores?

27.  Recognized.  By name.  Ownership?  Well, less than that.  A lot less.  And I bought a ton of CD’s in the 90’s.  A boatload.

Look:  I wasn’t entirely out of it.  I had some Nirvana, Petty, Oasis, Neil Young, REM, U2 and Red Hot Chili Peppers.  That’s not so bad, right?  And, you know, I kinda liked Pearl Jam and Soundgarden and Radiohead and Metallica.  That’s good, isn’t it?

And of course I love Dylan and Springsteen and The Stones, and they’re on the list (although come one, RS, Bridges To Babylon and not Voodoo Lounge?  Really?) – so, I was, like, not in a cave or anything.

But 27% sort of makes it official: I had given up.  I had grown old.  My score on the Top 10 (60%) is cold comfort.  Crap.

I always knew that rock/pop is for young people, but retreating to “well the music was better in the 60’s (or 70’s (for the most part), or the 80’s (at least for a time)) – even though it was – is, is, is oh nevermind.

No point in raging against the machine.  I’m not ready to die and I know I’m not out of time.   OK Computer, how we gonna handle this?

Monday, 11 March 2013

Are the Kids Alright?


OK, so readers’ polls can result in some weird stuff.  Take, for instance, Rolling Stone’s Best Rock Documentaries, and – as George would say – spot the loony.

  1. The Last Waltz
  2. Woodstock
  3. This Is Spinal Tap
  4.  Gimme Shelter
  5.  The Kids Are Alright
  6.  Pearl Jam 20
  7.  No Direction Home
  8.  The Beatles Anthology
  9.  Beyond the Lighted Stage
 10. It Might Get Loud

Aw, come on, people!  Spinal Tap is wonderful, but can we check the dictionary here?  It’s brilliant.  It’s an accurate reflection of the culture.  It’s funny.  And it’s fake! 

Documentary:  noun, providing a factual record or report
Mockumentary:  brings up spellcheck

Do these same people also believe Sacha Cohen is a real journalist from Kazakhstan?  Help!  I mean, a joke takes the place of Rattle and Hum or Standing in the Shadows of Motown?  Mercy!

By the way, otherwise, great list.

Friday, 21 December 2012

When I Paint My Masterpiece


Gibson’s list of 10 Iconic Album Covers reminds us of perhaps the best thing about vinyl. 

Here’s the list:
The Beatles, Abbey Road
The Clash, London Callling
Green Day, Dookie
Guns N’ Roses, Appetite for Destruction
Led Zeppelin, Led Zeppelin
Michael Jackson, Thriller
Nirvana, Nevermind
Pearl Jam, Ten
Pink Floyd, Dark Side of the Moon

OK, I know CD’s ruled by the time Pearl Jam, Nirvana and Green Day came along, but you get my point.  Album art – and it was art – had such a bigger impact when the real estate was, well, bigger.

Great album covers don’t just inform or appeal, they make a statement.  So all of the ones on the list are deserving.  As the article says, whittling it down to a list of only 10 is a tall order.  Sgt. Pepper, Rubber Soul or With the Beatles were also super icons, and Zep 4 easily rivals Zep 1, but let’s not quibble.  Great album art made great albums even better, providing another way to enjoy, to savour, to immerse oneself.

I know we have videos and websites and tweets and all that, but it’s not the same as a 12-x12 piece of cardboard you can hold in your hands.  It’s not as personal.