Rhythm Ninjas

Guitar World’s 50 Greatest Rhythm Guitarists of All Time proves the point that you can have a tremendous impact without being a flashy soloist.

Chuck Berry, Steve Cropper, Bo Diddley, Don Everly, The Edge, Keef, Andy Summers, Pete Townshend, Malcolm Young … these guys defined the sound of the band, erected the songs on their chords, and for the most part didn’t need a solo to make the tune kick butt.

As Danny Kortchmar says, “it’s easier to play a screamer solo over a heavy groove than it is to make that groove.”

Which is why cats like Alex Lifeson, Jimmy Page and Jimi Hendrix, who are perhaps know for their soloing, are also on the list.  And deservedly so:  it ain’t easy to give us a rhythmic groove and a solo all at the same time.

I can’t figure out why John Lennon doesn’t make these lists, though.  Maybe my Beatles obsession just drives me to want to include a guitarist who happened to play rhythm, as opposed to a guitarist of revolutionary importance.  Maybe, but I still think he was pretty darn good.

And One For All

I need to take a second pass at this…

So speaking of riffs, New Musical Express’s 50 Greatest Guitar Riffs of All Time is nothing if not democratic.  Everyone seems to get a turn.  You’ve got at least one each for rockabilly, British Invasion, psychedelia, hard rock, metal, glam, classic rock, new wave, euro pop, alt, grunge, hair, punk, thrash … have I missed anything?

And kudos to NME for spreading the joy, but really, shouldn’t the likes of AC/DC, the Stones, or U2 been on the list more than once?

And if you insist on limiting to one apiece, is Sunshine of Your Love really Clapton’s best riff?  Is Free Fallin’ Tom Petty’s?

As for the Stones, limiting it to one is kinda silly, so it might as well be Satisfaction.

Oh, and even though even one isn’t enough for them either, no Beatles?  At all?  Does NME have something against them?  For heaven’s sake!

I was delighted to see the likes of The White Stripes, The Kings of Leon and The Black Keys on the list, but some of the others just seem to be arbitrary.  I dunno.  When I read these lists I try not to let my peronal taste get in the way (really, I do), but I’m not sure what NME’s criteria was.  Influence?  Sales?  Recognizability?  Airplay?  Fairness and diversity?

Cool collection of pictures, though.

Postscript - best write-up goes to the one for Nirvana’s Smells Like Teen Spirit:  “Is the most remarkable thing about this riff that it killed hair metal or that it made Nirvana superstars against their will?  No, the most remarkable thing about this riff is that even after hearing it 87 million times it still sounds so visceral.”

Are the Kids Alright?

OK, so readers’ polls can result in some weird stuff.  Take, for instance, Rolling Stone’s Best Rock Documentaries, and – as George would say – spot the loony.

  1. The Last Waltz

  2. Woodstock

  3. This Is Spinal Tap

  4.  Gimme Shelter

  5.  The Kids Are Alright

  6.  Pearl Jam 20

  7.  No Direction Home

  8.  The Beatles Anthology

  9.  Beyond the Lighted Stage

 10. It Might Get Loud

Aw, come on, people!  Spinal Tap is wonderful, but can we check the dictionary here?  It’s brilliant.  It’s an accurate reflection of the culture.  It’s funny.  And it’s fake! 

Documentary:  noun, providing a factual record or report

Mockumentary:  brings up spellcheck

Do these same people also believe Sacha Cohen is a real journalist from Kazakhstan?  Help!  I mean, a joke takes the place of Rattle and Hum or Standing in the Shadows of Motown?  Mercy!

By the way, otherwise, great list.