Sweet Jam

Further to that last post on The Charlatans, if you go back to the references you get one awesome jam session:  John, Paul, George, Ringo, Mick, Keef and Stevie Winwood.

Woulda got some sweet sounds out of that supersession!

Partners in Crime

Gibson has a list of 20 Great Rock and Roll Songwriting Partnerships, which includes:

Strummer and Jones from The Clash

Tyler and Perry from Aerosmith

Marr and Morrissey from The Smiths

Page and Plant from Zeppelin

Fagen and Becker from Steely Dan

John and Taupin for Reggie Dwight

Bachman and Cummings from The Guess Who

Chilton and Bell from Big Star

Jagger and Richards from the Stones

Lennon and McCartney – ya, d’ya think?

Nice to see Bachman and Cummings on the list, although The Guess Who had more than a few good songs after Bachman departed.

Why no Holland-Dozier-Holland?  Motown was rock ‘n’ roll, and those guys outsold everyone.  I know the article was tagged ‘dynamic duos’, but it’s really about partnerships.

Otherwise it’s a solid – if predictable – list. 

Or maybe it’s constrained and difficult to populate.  I scrolled through my iTunes library, and had a hard time coming up with any other real partnerships.  Lots of cases where the whole band gets credit.  Cases like CSNY or the Eagles where there were several individuals who each contributed great songs, but not many real partnerships.

Curious, that.  Music is such a collaborative thing.  I would have expected more.

Satisfaction

I recently read Philip Norman’s biography on Mick Jagger.  It could have been called Satisfaction:  Mick Jagger and the Invention of Corporate Rock.

I mean, we all know The Rolling Stones are a major brand and a well-oiled machine.  Kinda like Apple but, with more wrinkles – and a few more urban myths.

But what I realized reading this book is that Jagger was acting more like a CEO than a rock star right from the beginning. 

If you think about the Stones over the last 20 years or so, no problem seeing him in that light.  But in the 60’s and 70’s?  Deaths, drug busts, mars bars, blood transfusions, radio bans, prime minister’s wives …  this band was a train wreck. 

But the train somehow kept rolling, and Jagger managed his way through the mayhem.

Anyway, an interesting read, with enough salaciousness to keep most people amused.  That is why we read rock biographies, right?

Say It Ain’t So

Aw…   New Musical Expresses piece on 29 Rock Myths Exploded is just a party-pooping downer.

No stomach pumps? no song-induced suicides? no mud sharks? no ash-snorting? no doobies in the john at Buck House? no Mars bars? no ham sandwiches?

Aw, come on!  They were such great stories!

Anyway, how do we know Charles Mansion didn’t audition for The Monkees?  Did anyone ask Stephen Stills?  Are we sure Paul didn’t die?  And what about Dylan?  Are we really sure?

And dammit, we gotta believe Keef had those full-body blood transfusions!  It’s just part of who he is!

Who are these people at NME?  Of course Robert Johnson sold his soul to the Devil!  Everyone’s known that for, like, 75 years.

This is what’s wrong with the Internet.  People can just make stuff up!  Deniers!  Truthers!  Balloon-prickers!  Liars!

Good on Keith Richards, by the way, who, true or not, got himself involved in 2 ½ of the 29 myths.  1^st place, even if it is in an alternative reality.

2 to Tango

Interesting list from Billboard a while back: 10 Songwriting Duos That Rocked Music History

No ranking so no opportunity to whine or moan. Or ...

perfect opportunity to rank the list myself!

1. Lennon & McCartney
2. Jagger & Richards
3. Page & Plant
4. Strummer & Jones
5. King & Goffin
6. Hall & Oates
7. Rodgers & Hammerstein
8. John & Taupin
9. Morrissey & Marr
10. Gamble & Huff

Hmmm ... no numbers, but maybe the list was ranked by Billboard, with R&H @ #10 and L&M @ #1. My list above gets pretty arbitrary after Page & Plant, 'cause I really don't care about the rest of 'em. Well, maybe after Strummer & Jones.

But the Billboard list is weird. It was sparked by the deaths of Jerry Leiber and Nick Ashford. So why weren't Leiber & Stoller and Ashford & Simpson included? Much more deserving than Hall & Oates in my book.

And Rodgers & Hammerstein? Rocking music history? With what? Edelweiss?

Dazed and Confused

Back on the lists. This one is The Rolling Stone Best Lead Singers Of All Time list - and it's wrong.

I mean, it's good and has most of the names I expected to find, but it's not right.

BTW, there was a previous list published by RS. That one was created by "experts." This one is a reader's poll thing.

Here's the list:
1. Robert Plant. Look. Zeppelin was great. He was fantastic. But best ever?
2. Freddie Mercury. Stronger case. Amazing singer. So powerful on stage.
3. Bono. Ditto, but not quite top 5 in my book.
4. Mick Jagger. The older I get (he gets?) the more I respect him. Definitely Top 10.
5. Jim Morrison. Aw, I dunno. Decent voice, powerful persona. Just wasn't really ever a fan.
6. Roger Daltrey. I'm an on-again-off-again Who fan. Sorry, but one scream does not a singer make.
7. Eddie Vedder. Well, the last two decades have been a bit of a wasteland, so sure.
8. John Lennon. Number 1. Hands down. Versatile, energetic, passionate, haunting, perfect.
9. Chris Cornell. Not a big Soundgarden fan so can't really comment.
10. Kurt Cobain. See Eddie Vedder. Personally, I would have Liam Gallagher as a "recent" pick.

Where in hell is Paul McCartney? Where's Elvis? Aretha? Sam Cooke?

Methinks this list is child of the corporate Classic Rock playlist.

Rolling Stone Top 100 Singers

Rolling Stone has all these lists, including The 100 Greatest Singers of All Time.

Like most of these things, the list feels way too U.S. centric.  That said, it's mostly OK, I guess.

Here's the Top 25:
 1. Aretha Franklin.  Hard to argue.
 2. Ray Charles.  OK.
 3. Elvis.  Hmmm  ...   not number 1?
 4. Sam Cooke.  As expected.
 5. John Lennon.  Nope.  #1.
 6. Marvin Gaye.  I guess so.
 7. Dylan.  Interesting he made the Top 10.  Make that shocking.  I'm happy and all, but ...
 8. Otis Redding.  Fine, whatever.
 9. Stevie Wonder.  Sheesh.
10. James Brown.  Sigh.
11. Paul McCartney.  A spot out of the Top 10 is just not right.
12. Little Richard.  Sure.
13. Roy Orbison.  Absolutely.
14. Al Green.  Yes.
15. Robert Plant.  About right.
16. Mick Jagger.  About wrong.  Much higher.
17. Tina Turner.  Not surprised.
18. Freddie Mercury.  Surprised he made it this high, but he should be higher.
19. Bob Marley.  Thank you.
20. Smokey Robinson.  Swap with Marvin or Otis, please.
21. Johnny Cash.  You bet.
22. Etta James.  And give either Marvin's or Otis's position to Etta.
23. David Bowie.  Nice.
24. Van Morrison.  A relief.
25. Michael Jackson. Well, it's Michael Jackson, right?

Some other notables (well, OK, beefs):
31. Howlin' Wolf.  Glad he made the Top 100, but ...
36. Bruce Springsteen.  Should be way higher.
38. Elton John.  I'm grateful - really - that he didn't land higher, but ...
50. Bonnie Raitt.  Always under-rated.  Not fair.
61. Roger Daltrey.  Not bothered either way, but surprised he wasn't higher.
72. John Fogerty.  Not high enough, especially given his impact.
74. James Taylor.  No way.  Definitely Top 10.
81. John Lee Hooker.  Best blues voice ever.  Higher, please.  Much higher.
93. Annie Lennox.  Shockingly low.
96. B.B. King.  Maybe take back what I said about Hooker?

On balance, the classic Soul singers beat out the rockers, and the Americans beat out the Brits.  Not surprised, I guess, but ...

It's Just A Kiss Away

Sometimes, it seems like great music is about taking little pieces and re-arranging them.

Take Gimme Shelter by the Rolling Stones, for example.

A one-chord verse, and a clever re-working of Dylan's/Hendrix's groove on All Along the Watchtower (substituting C# Major for C# Minor - and yes I know it sounds like Hendrix is playing C Minor, but he tuned his guitar down a half step).

Anyway, that's it: one chord held through the verse, and three chords repeated over and over during a relentless, driving chorus.  Throw in a simple melody sung by an iconic voice and - presto! you get one of the most powerful songs ever recorded.

Of course, it's not quite that simple.  The arrangement is pure genius.  The unnerving repetition of the scraper, the tentative way the guitar comes in (the tremelo adding to the hesitation), the mournful oohs as the song builds and first verse starts.  You know this is a song about fear and loathing way before Mick starts telling you he's at the mercy of forces beyond his control, that he's afraid he might fade away. 

Then the chorus kicks you in the gut.  We're on the edge.  It's not about Mick.  It's us.  We might not make it.  And before you know it, you're thinking, "Hey!  Give me shelter, man!  I'm in trouble."

Not convinced?  OK, let's make it personal.  This is not a song about bad weather.  And war is not a vague concept in some far off, distant land.  It's rape.  It's murder.  It's here.

Then, once you're stripped, lost and without hope:  Love is just a kiss away.  And just like that your emotion shifts from despair to hope.  To defiance.

Simple music, clever arrangement, powerful words:  a great recipe for an overwhelming emotional ride.

Oh, and you can dance to it, too.

Favourite Songwriters

The recent post about seeing Paul McCartney live naturally got me thinking about "bests".

So here's a best songwriters list:

To begin, Lennon and McCartney must be split up.  They're too good - and did too much stuff on their own - to be put together.  Oh, and they didn't collaborate as much as we thought at the time.  But mainly, the sheer volume of masterpieces says not only should they be on top, but they must be 1-2.  So ...

1) John Lennon.  An arbitrary choice.  Sorry, Paul.

2) Paul McCartney.  Silly love songs aside, Paul was - and is - a genius who has blessed us with countless thrills, memories and emotions over five decades.  In a class of his own.  No one else comes close.  Except  ...  well, sorry, Paul.

3)  George Harrison.  Not in the same class as his band mates, and a ranking most people will disagree with, but I can't place him any lower on the list.  I just can't.

4) Tom Petty.  Petty has held true to the mid-sixties vibe that The Beatles and The Stones defined.  He gets it.  He has absorbed all the elements, and knows how to serve up the perfect mix of heart-on-your-sleeve-emotion, humour and attitude.  And he's consistent, year after year, decade after decade.

5) Eric Clapton.  Clapton may have started out as a guitar god, but his voice and songwriting eventually caught up.  It's not just Layla.  Clapton has written a formidable number of great songs, and has been consistently fearless in expressing his emotions, transferring them to his audience.

6) Jagger/Richards.  Many would put them number one.  On sheer volume alone, they have a good case.  Ditto influence.  But this is a personal list, and I have to get the other five out of the way first.

7) Page/Plant.  Yes, I know Bonham and Jones were also credited on many of the songs ...   Again, from a volume and influence standpoint, these guys have to be up there.  I always had the feeling that Plant was just making up the words as they were recording, but the words never really mattered, did they?  What mattered was the thunderous and soaring competition between Page's riffs and Plant's voice.

8) John Lee Hooker.  I need at least one classical blues guy here, and ol' Johnny wins handily.  To me, he just told the best, most emotive stories.  That mournful voice helped a bit, too.

9) James Taylor.  Speaking of voices ...   His songs just make me feel.  Mostly good, sometimes sad.  Sometimes both at the same time, and sometimes some things else.  He makes me feel.

10) Bob Dylan.  I'm sure Dylan is number one for a lot of people, and I couldn't argue.  His influence is so pervasive it can't be measured.  And so many great songs.  I do wish they were all a verse or two shorter, though.

Anyway, that's my list.  I know that when I'm working on a song, one or more of the above is influencing what comes out.