No One Here Gets Out Alive

In each of the six decades since the birth of rock and roll, you can find some magic, and you can shake your head and wonder how anybody could listen to such rubbish. 

But for me, the 70’s is the big enigma.  Some of the best rock, much of it indelibly stamped into the concrete of our collective consciousness, was made in that decade.  And I couldn’t do without it.  But it was a confusing decade, one with little or no direction, a time of extremes and excesses.

Hard rock, prog rock, power pop, funk, metal, disco, jazz fusion, punk, folk-rock, singer-songwriter … and the leisure suits.  Brother.

The 70’s were not kind to a lot of 60’s icons.  The Stones, Clapton, and The Who, for example, all had their moments, but really they drifted through with mixed results.  Led Zeppelin and Pink Floyd triumphantly pushed through, and then collapsed at the finish line.  Deep Purple didn’t make it.  The Beatles and Hendrix didn’t even get out of the starting block.

The energy that began as punk and coalesced into New Wave was certainly welcome.  It brought some much-needed focus to all that aimless thrashing about.  To borrow from Rossini’s invective against Wagner, the 70’s had wonderful moments, and dreadful quarters of an hour.

Blitzkrieg Pop

Funny how I do a piece on Power Pop (not liking it so much) and then Gibson goes and puts out a 10 Greatest-Ever Power Pop Bands list.

According to Gibson, Pete Townshend coined the term (I didn't know that; thanks, Gibson), and the definition is "infectious melodies, airtight arrangements, soaring vocal harmonies and unforgettable guitar riffs." Similar to Wikipedia's, so I'm outvoted here, 'cause I still think of Power Pop as soppy ballads with furry guitar.

At least that's what I remember the DJ's spinning those lame Foreigner, Journey, REO Speedwagon and Styx tunes calling it.

Anyway, I'm happier with Gibson's definition, 'cause it yields a great list, which is:
1. Cheap Trick - yes!
2. The Who - OK, Pete coined the term, and the band kinda defies pigeon-holing, but I still dunno.
3. Big Star
4. Teenage Fanclub
5. The Raspberries
6. Slade
7. Fountains Of Wayne
8. The Posies
9. Badfinger - awesome! Very under-rated band
10. The Sweet - cool! OK, sweet!

Not sure if I would add anyone else. Maybe ELO? Fleetwood Mac (Stevie Nicks's, not Peter Green's)? Anyway, it's all just only rock and roll - and I like it.

Pop Boom Fizzle

One of the sub-genres you might have noticed missing from my music map is Power Pop.

And sure, it's just Pop, but it's heavier, right? More to the right to reflect that Metal, Blues Rock influence.

Well, it's omitted because I was never a fan. Foreigner, Journey, REO Speedwagon, Styx ... all those power ballads to me were just a compromise. I disagree here with Wikipedia, which describes Power Pop as Pop music with a Rock edge, and lists The Beatles, The Who and The Kinks as early examples. Fair enough, but I'm talking about the bands that specialized in rather soppy ballads that just happen to have a furry guitar in the song.

As for the compromise, guys wanted to listen to Pink Floyd and Led Zeppelin, but their girls wanted Lionel Ritchie and The Bee Gees. Foreigner was the middle ground. Good musicians and all, but so what if they had electric guitars? The songs were really Easy Listening, most of 'em ones on the outside of my Rock circle.

Overlaps and blends that create something new: exciting.

Ones that are a shotgun wedding to keep the peace: not so much.