Showing posts with label ELO. Show all posts
Showing posts with label ELO. Show all posts

Thursday, 16 June 2016

Let It Ring For Evermore


One of Jeff Lynne’s signatures – as a songwriter, as a singer, and as a producer – is poignancy, his ability to match the melancholy with the sublime.

Have a listen to ELO’s Telephone Line.   I think it’s one the best examples: heartbreakingly sad but so beautiful it’s sweet.

Thanks, Jeff.

Wednesday, 3 October 2012

Producers Rule


I keep stumbling over all these interesting lists, but it’s curious that there doesn’t seem to be one about record producers.  Let’s face it:  production can have a huge impact – positive or negative – on a recording.

So who should go on the list?  Well …

For sure:
George Martin, Sam Phillips, Jimmy Page and Roy Thomas Baker.  Geniuses, whose impact is undeniable.

Probably:
Bob Ezrin, Phil Collins, Glyn Johns and Bob Rock.  Successful, sought after, respected.

I Would Hope:
Jeff Lynne, Muff Winwood, David A. Stewart, Steve Lillywhite and – my favourite under-rated guy – Ian Thomas.  Talented guys who know their stuff.

I’ve left band-as-producer off the list because it’s too hard to tell who should really get the credit.

But no question producers are important.  Dunno about you but I have frequently had the same attitude about record producers that many people have about movie directors.  You know: if such-and-such made this, it must be good.

And I’m rarely disappointed.

Friday, 28 September 2012

Good News For Denver

I started playing with my U.S. music map, plotting where I thought some British artists would land. It looks like this:
 


















I've already described how I thought The Beatles belonged in Ohio to reflect their

twin influences of Nashville and Motown, and how Cat Stevens sounds to me like a blend between Memphis and Motown.

The Stones? Chicago and Memphis, so they're neighbours of the Cat.

Eric Clapton's ancestors came from The Delta, Chicago and Texas, placing him somewhere on the Arkansas/Oklahoma border.

U2 and The Kinks split that Motown pop sensibility with a NY punk attitude, putting the somewhere in Penn state (OK, let's give U2 to Buffalo).

Bands like ELO and Queen blend that Motown pop gift with the Hollywood production thing (and jazz complexity), placing them squarely in the middle of the country.

Cream and The Animals blended their love of Chicago blues with a touch of California weirdness, making them natives of Colorado (there you go Denver). Zeppelin: about the same but with a pull from The Delta.

Deep Purple and Pink Floyd have lots of the Hollywood production and complexity, with a bit of pull from the eastern styles, which I guess lands them in the southwestern desert.
Neil Young lands in West Virgina (sorry Winnipeg), given an equal pull from Nashville and NY. And yes, I know he's Canadian.

Elvis Costello? A bit more NY punk.

Dire Straits? Nashville, Memphis, Delta.

Van Morrison: Memphis, Delta (maybe a bit of Motown?)

David Bowie was tough. NY punk and Motown pop pulling hard against California - landing him in Nashville of all places.

Hmmm ... there's a whole new twist on the idea of "Music City."









Tuesday, 15 May 2012

Blitzkrieg Pop


Funny how I do a piece on Power Pop (not liking it so much) and then Gibson goes and puts out a 10 Greatest-Ever Power Pop Bands list.

According to Gibson, Pete Townshend coined the term (I didn't know that; thanks, Gibson), and the definition is "infectious melodies, airtight arrangements, soaring vocal harmonies and unforgettable guitar riffs." Similar to Wikipedia's, so I'm outvoted here, 'cause I still think of Power Pop as soppy ballads with furry guitar.

At least that's what I remember the DJ's spinning those lame Foreigner, Journey, REO Speedwagon and Styx tunes calling it.

Anyway, I'm happier with Gibson's definition, 'cause it yields a great list, which is:
1. Cheap Trick - yes!
2. The Who - OK, Pete coined the term, and the band kinda defies pigeon-holing, but I still dunno.
3. Big Star
4. Teenage Fanclub
5. The Raspberries
6. Slade
7. Fountains Of Wayne
8. The Posies
9. Badfinger - awesome! Very under-rated band
10. The Sweet - cool! OK, sweet!

Not sure if I would add anyone else. Maybe ELO? Fleetwood Mac (Stevie Nicks's, not Peter Green's)? Anyway, it's all just only rock and roll - and I like it.