So Many Roads

With apologies to the purists, here are the songs that helped me figure out that  The Blues was the thing:

·      Jimi Hendrix - Voodoo Child (Slight Return)

·      Led Zeppelin – When The Levee Breaks

·      The Doors – Riders On The Storm

·      Canned Heat – On The Road Again

·      Cream – Crossroads

·      Led Zeppelin – Since I’ve Been Loving You

·      Elvis Presley – Heartbreak Hotel

·      Johnny Winter – Highway 61 Revisited

·      The Beatles – Come Together

·      Creedence Clearwater Revival – Suzie-Q

Yeah, I know – but we all get there by different roads.  For me, Main Street was called Beatles Avenue.  Take a right at Rock & Roll Drive, left on Psychedelic Boulevard, left again at Hard Rock Road, slip down a back alley and you find this cool juke joint where they’re all playing:  B.B., Muddy, Sonny Boy, Howlin’’ Wolf, Hooker …  all of ‘em.

Does the road matter if we reach the destination?

Someday He May Get Smart

Every time I listen to Johnny Winter’s Be Careful With A Fool, I smile and think, oh yeah, that’s why I like Stevie Ray Vaughan so much.

Dust My Lick

Gibson’s 10 Iconic Blues Riffs & Melodies is focused on playing – maybe fooling around and coming up with your own riffs.  But it could just as easily be called The Best Blues Songs of All Time.

Yeah, I know, there are a few thousand tunes competing for that honour, but it’s a pretty impressive list.  Songs written by giants like Willie Dixon, Howlin’ Wolf and Robert Johnson, and played by the masters:  Sumlin, B.B., Buddy Guy, Elmore James, Albert King, Clapton, Hendrix and Johnny Winter.  It doesn’t get much better than that.

But the article’s main point is a good one:  mess around with something you already know and it might take you somewhere new.  I’m sure that’s how most songs are written.

Paying The Cost To Be The Boss

Imagine a world without Hendrix, Cream, Santana, Paul Butterfield, The Allman Brothers, Johnny Winter, Fleetwood Mac, ZZ Top, Stevie Ray Vaughan, and Robert Cray.

Hard to imagine, isn’t it?  Not something you’d want to imagine, is it?

Well, according to Rolling Stone’s 10 Legendary Acts That Wouldn’t Exist Without B.B. King, all that magic would not have happened were it not for B.B. King.

That’s 10 more thankyous we owe to B.B..

The Texas Continuity

Carrying on about “how come Johnny Winter didn’t make the list of influential guitar solos?” …

Much has been made of the great Texas Blues tradition and how Freddie King was just as strong on influence as Albert King on the likes of Stevie Ray Vaughan.  Fair enough, but have a listen to Johnny Winter’s Be Careful With A Fool, then check out SRV’s Texas Flood.  Sounds like a direct connection to me.

The Millennial Barrier

Some albums transcend their eras, says Rolling Stone – and some don’t.  The 40 Albums Baby Boomers Loved But Millennials Don’t Know (whew! What a long Title!) list includes some great music that somehow hasn’t made it across the generational divide.

Some of the albums listed are shocking.  I mean, how can Cocaine or Money For Nothing be played to death on the radio and not be known?  Ditto entries by ZZ Top, Steve Miller or Bob Seger.  Yeah, I know we’re talking albums not singles, but sheesh!

Many albums listed did not surprise me, though.  I know they were very popular, but nothing about Roberta Flack or The Commodores sounds very transcendent to me.  And Rick Wakeman’s Journey To The Centre of the Earth is described by RS as bombastic and overwrought, so I’m guessing they’re not really recommending it?

Alice’s Restaurant was a joy in 1967-8-9, but simply not relevant by, say, 1972, so no surprise there.  The Concert for Bangladesh?  Listen, RS, everyone bought it because it was George and because of the all-star lineup.  But nobody played it more than once.

A lot of the stuff listed I’d be hard pressed to say I miss – Moody Blues, Supertramp, Phil Collins … they just didn’t age very well.

Nice to see Johnny Winter and Humble Pie listed, though.  I never understood why they don’t get more coverage on the classic rock radio playlists.  And as Jack White, Joe Bonamassa, Gary Clarke Jr. and The Black Keys have proven, blues rock just won’t go away, so they should be heard.

Hail! Hail! Rock ‘n’ Roll

It doesn’t sound very confident, but Gibson’s 10 Greatest Covers if Chuck Berry Songs notes that, with the possible exception of the Beatles, no other artist has had as many of his songs covered by his peers.

Possible?  How about looking it up?  Or just offer an opinion, like this one: no other artist has had a bigger influence over rock and roll during the last 60 years. 

And Gibson’s list proves that.  The Beatles, The Stones, Bowie, The Kinks, AC/DC, Hendrix … they all paid homage to Berry’s iconic tunes.  And everything that followed pretty much stemmed from that list of bands.

Add the fact that Chuck Berry’s guitar playing is even more important, and you get one colossally influential cat.

Got to agree with the comments below the article, though.  Johnny Winter’s version of Johnny B. Goode should be on the list.

Highway 61 Revisited Revisited

Gibson’s When Rockers Cover Dylan points out that the man has provided a gold mine of material for other artists.

It lists some great examples, some interesting analysis, and a variation on the “be true to the original, but make it your own” mantra: “completely restructure it until it sounds like you.”  Dunno about the “completely restructure it” part, but “sounds like you” is right.

The examples include:

Hendrix – Watchtower

Johnny Winter – Highway 61 Revisited

George Harrison – If Not For You

The Byrds – Mr. Tambourine Man

GNR – Knockin’ on Heaven’s Door

I guess the winner is All Along the Watchtower, because covers by Hendrix, Dave Matthews and U2 all get a mention (I would add, BTW, a great live version by Neil Young from Dylan’s 30^th Anniversary Tribute concert).

In terms of the “be true to the original, but make it your own” cliché

-       Hendrix and Winter take the prize for outright theft

-       The Byrds and George provide the best examples by doing a straight cover that nevertheless sounds like themselves

-       I wish no one – including Clapton – had covered Knockin’ on Heavens’ Door.  Dylan’s version is unbeatable.

But that’s maybe the only such song on the list.  I’ve always felt that a good song had a life of it’s own, and Dylan has provided a bunch of examples.  He might have created them – or opened a door through which they entered our lives – but once they arrived, they kind of became everybody’s songs.

Walking Along A Dusty Road

The death last year of Hubert Sumlin makes Gibson's 10 Great Journeymen Guitarists all the more interesting. Here's the list:

Hubert Sumlin, Corey Harris, Eric Bibb, Guy Davis, Duke Robillard, J.J. Cale, Roy Book Binder, John Hammond, Johnny Winter, Keb' Mo'.

Gibson's reference point seems to be the itinerant bluesman, the Robert Johnson standing at the crossroads thing, which explains why it's a collection of blues guys. Works for me.

I have to confess I haven't heard of all of these guys, and for sure I'm going to check up on at least one of them. I mean, how cool is a name like Roy Book Binder? Well, trippy anyway.

Of the ones I know, the other thing they all have in common (other than their constant touring and hard work) is they are/were under-appreciated. Keb' Mo' would be my prime example. He's a gem.

Curious how Johnny Winter slipped from guitar god status down to this list, though. There was a time when he competed with the likes of Hendrix, Clapton and Page for the best guitarist title. Were Rory Gallagher still alive, it would be interesting to see if he would have been on the list too, because he also was an under-rated-journey-man kinda guy.

It might be a lonely road, but it's a crowded world for great guitarists.

Mojo's Still Working

A while back, I had the chance to see James Cotton live.

There aren't many living blues legends left, and it's always a special occasion when you can see one of them.  Check, hear one of them.

Even though he belongs to a younger generation, Cotton has a direct connection to many of the greats that influenced modern music:  Muddy Waters, Howlin' Wolf, Freddie King, Sonny Boy Williamson, B.B. King.  He played with 'em all.  He's also played with the generation of blues masters that followed:  Taj Mahal, Paul Butterfield, Elvin Bishop ...

Cotton has also played with the students of all those guys, the ones that directly defined the classic rock sound:  Led Zeppelin, Janis Joplin, Steve Miller, Santana, Johnny Winter, The Grateful Dead ...

A sonic thread woven through blues rock, Memphis, Chicago and the Delta.  A great songwriter, and an inspired blues harp player.

What a great show!  He can barely walk, he can't really talk, but man can he wail!  Great songs, tight band, and one of the best to ever hold a harmonica over a microphone.

Cotton's special guest was Matt "Guitar" Murphy, who has played for Howlin' Wolf, Otis Rush, Etta James and Chuck Berry.  He left the fancy, showy stuff to the two younger guitarists in the band, but I'd say he had the winning percentage of tastiest licks delivered that night.

Two blues greats, two living legends, two real-time music lessons for the price of one.  As thrilling as seeing a McCartney show?  No, of course not.  Value for money?  You bet!

A while back,