When I Was A Child I Caught A Fleeting Glimpse

Before I die, I want to be able to duplicate the tone David Gilmour has on Comfortably Numb.

Run Devil Run

I know it was Paul McCartney’s album and all, but:

• Mick Green
• Pete Wingfield
• Ian Paice
• David Gilmour
• And Sir Paul himself

So how come that line-up on Live At The Cavern Club wasn’t labelled a supergroup?

Take A Breath

I’ve been trying to think of something nice to say about the saxophone for most of my life, and I finally got it: on some of David Gilmour’s best guitar solos, you can tell that he also plays the sax.

Two Of Us

Not that he hasn’t worked damned hard to overcome it, but Paul McCartney is forever destined to be remembered as John Lennon’s partner.  A little unfair maybe.  After all, he only spent 13 years with John.  And he’s given us a lot of great music and memories over the last 45 years as a solo artist.

Then again, maybe he’s never given up trying to replace John.  Stevie Wonder, Michael Jackson, Elvis Costello, David Gilmour, Dave Grohl, Kanye West …  it’s a pretty impressive list of collaborations.

Or maybe Paul just digs music, is a fan like the rest of us, and understands that at bottom music is a shared experience.

Long Long Long

When we think about longevity, images of wrinkly Rolling Stones or half The Who come to mind.  And that makes sense, especially from a performance standpoint; some acts just keep on trucking.  The Stones, especially, give the air of having some kind of record for surviving the longest.

But if you examine the question from the perspective of recording new music, they haven’t/didn’t last so long – at least in my iTunes library.

Here’s the ranking of the artists who have had the longest careers in terms of their earliest and latest recordings (again, in my iTunes library – yours will differ).

Artist/Band	Earliest Recording	Latest Recording	Number of Years
Ringo Starr	1962	2012	50
Paul McCartney	1962	2007	45
B.B. King	1956	2000	44
Bob Dylan	1962	2006	44
Steve Winwood	1965	2008	43
Eric Clapton	1964	2006	42
George Harrison	1962	2002	40
James Taylor	1968	2007	39
Robert Plant	1969	2007	38
Joe Walsh	1969	2007	38
David Gilmour	1969	2006	37
Mark Knopfler	1978	2015	37
Bruce Springsteen	1973	2009	36
Tom Petty	1976	2010	34
Rolling Stones	1964	1994	30

OK, the Ringo thing is a bit of a fluke.  I finally saw him live in 2012, and was so happy about it that I bought the tee-shirt and the CD.

I don’t buy everything these folks release, but it’s wonderful that they’re still making great music – the ones that are alive anyway.

Speaking of which, I wonder if Hendrix or Lennon …. oh nevermind.

Blown On The Steel Breeze

It’s what notes you play, not how many of ‘em, as aptly illustrated by Guitar World’s Top 10 Slow Guitar Solos.  The list features masterful, expressive, passionate solos from greats such as Clapton, Page, Beck, Gilmour, Knopfler, SRV and Gary Moore.

With the exceptions of George Harrison and B.B. King, all these guys are revered for being able to tear it up, but this list shows they also knew how to make their guitar cry and sing.  They knew a guitar solo should make the song better.

Solo Stars

Guitar World’s 40 Most Influential Solos In Rock is quite possibly the list that’s come closest to what I would have expected.

All the early rockers are there: Scotty Moore, James Burton, Eddie Cochrane –and Chuck Berry, who’s Johnny B. Goode GW correctly notes is “the most important rock guitar part ever recorded.”

All the Classic Rockers are there: Clapton, Beck, Hendrix, Blackmore, Allman, Fripp, Page, Gilmour, Knopfler, Young and West.

The blues influencers are there: Elmore James, and the 3 Kings.

The list is chronological, so until it got to the 80’s my reaction was consistently, “yep, influenced me alright.”

The latter-day guitar heroes are there too: SRV, Zakk Wylde, Randy Rhoads, Malmsteen, Satriani and, the cat with the coolest handle: Dimebag Darrell.

One or two guitarists I wouldn’t have included myself, but fully expected to see.  And given GW limited itself to one solo per guitarist, I think they did a pretty good job of coming up with the most representative tune.  No easy feat with most of these guys.

Not sure how Heartbreaker gets to be Jimmy Page’s most important solo, but that’s just me.  I certainly remember being floored when I first heard it, but later on I kinda felt it wrecked the song, because it interrupted such a powerful groove.

Nice to see Europa chosen for Santana so they could make room for Peter Green and the original Black Magic Woman.  Peter Green is usually under-rated and overlooked.  Speaking of overlooked: no Highway 61 Revisited by Johnny Winter?

A Hunger Still Unsatisfied

Are you older than, say, 30?  Got regrets?  Feel like a part of you is lost?  Still trying to find yourself – in the future, the present, the past?  Or … want your spirit crushed?

Go listen to High Hopes by Pink Floyd.  They’ve done a lot of songs about loss, but this one is the champ.

A life consumed by slow decay.  Steps taken forward but sleepwalking back again.  Encumbered forever by desire and ambition.  Our weary eyes … the grass was greener … the water flowing … the endless river … sheesh!

Poignant poetry, a moody tune with a haunting, tolling bell, impeccable Floyd production, and perhaps David Gilmour’s most heartbreaking guitar solo.  I cannot listen to this song without weeping.

Sad, cathartic, and absolutely beautiful.  By the way, the accompanying music video is one of the most amazing videos of all time.

The light was brighter.

This Hell I Live In

With apologies to Mssrs. Lennon, McCartney, Winwood, Waters, Gilmour, Springsteen, Johnson and Anonymous …

The five saddest songs ever written are actually all in Les Miserables.

Just Nod If You Can Hear Me

Back on the sad songs.   Pink Floyd’s Comfortably Numb does a spectacularly morose job of summarizing the human condition.

When I was a child
I caught a fleeting glimpse
Out of the corner of my eye
I turned to look but it was gone
I cannot put my finger on it now
The child is grown
The dream is gone
I have become comfortably numb

Ouch!  Life is a pointless, hopeless big tease, only coming through in waves, and we can’t hear it.

Is there anyone at home?  No.  You are receding.  We are all alone.

I mean, hopefully most of us don’t feel this way too often, but we all do just a little from time to time, right?

Depressing, frightening  - and definitely sad.

A Change’ll Do You Good

A sad but inevitable (inescapable?  inexorable?) truth in music is that the line ups of our favourite bands keep changing.  Gibson’s 10 Bands That Changed Singers ... and Won deals with this reality, and reminds us that change is not always a bad thing.

Here’s the list:  Deep Purple, Van Halen, AC/DC, Faith No More, Judas Priest, Journey, Iron Maiden, Fleetwood Mac, Genesis, Pink Floyd.

Winning seems to mean, “enjoyed increased commercial success,” so that ducks the question of whether the band actually got better.  For a lot of these transitions, it’s debatable whether the band improved, especially in the eyes of their existing fans.

David Lee Roth for Sammy Hagar?  Not sure.  Bon Scott for Brian Johnson?  I think so, but many wouldn’t.  Syd Barrett for David Gilmour?  Well, for me, Floyd’s music was finally approachable with Waters and Gilmour at the helm, and maybe that illustrates the problem with “winning.”  Commercial success means, well, “more commercial” (ya I know we’re talking about Pink Floyd but everything is relative).

Take Genesis.  By the time Collins is through with them, a (some would say) pretentious prog rock band becomes a pop act.  Makes you wonder how much of the original fan base was still around to celebrate the victory.

Or take Fleetwood Mac.  Trying to reconcile the dichotomy between the Peter Green and the Buckingham/Nicks eras, the article suggests that FM is “arguably not a band, but a brand.”   Maybe, but don’t brands have a core sound/image/look/feel/quality/certain-something that is supposed to endure and is therefore protected?  I would suggest that Fleetwood Mac is not a brand, but simply a name that got re-used.

The most interesting case for me is that of Deep Purple.  No question that Ian Gillan was an improvement over Rod Evans, and their popularity certainly jumped with the change.  But there was something very cool about those early albums.  I felt at the time, and I guess I still feel now, that they made the switch to try and sound more like Led Zeppelin.  They succeeded, and it was great and all, but they also lost some Deep Purpleness in the process.  They might have become highway stars, but the bird had flown.

Rolling Stone Reacts and Revises

A while back Rolling Stone published senior editor/writer David Fricke's version of the 100 Greatest Guitarists (DF version). With all due respect to Mr. Fricke, I know I had lots of issues with the list. I wonder if others did too, because Rolling Stone assembled a panel of experts and came up with a new list, 100 Greatest Guitarists (panel version).

The fun with lists is that you get to disagree, but I must say the 2nd list defies the camel-is-a-horse-designed-by-a-committee business. I mean I like it better.

Let's compare the top 25:
     DF Version                       Panel Version
 1. Jimi Hendrix                     Jimi Hendrix
 2. Duanne Allman                Eric Clapton
 3. B.B. King                         Jimmy Page
 4. Eric Clapton                     Keith Richards
 5. Robert Johnson               Jeff Beck
 6. Chuck Berry                     B.B. King
 7. Stevie Ray Vaughan        Chuck Berry
 8. Ry Cooder                        Eddie Van Halen
 9. Jimmy Page                     Duanne Allman
10. Keith Richards                Pete Townshend
11. Kirk Hammett                  George Harrison
12. Kurt Colbain                    Stevie Ray Vaughan
13. Jerry Garcia                    Albert King
14. Jeff Beck                         David Gilmour
15. Santana                          Freddy King
16. Johnny Ramone             Derek Trucks
17. Jack White                      Neil Young
18. John Frusciante              Les Paul
19. Richard Thomson           James Burton

20. James Burton                 Santana
21. George Harrison             Chet Atkins
22. Mike Bloomfield              Frank Zappa
23. Warren Haynes               Buddy Guy
24. The Edge                        Angus Young
25. Freddy King                    Tony Iommi

I definitely prefer the content and the sequence of the 2nd list.

David Fricke did have some cool inclusions, like Robert Johnson, Ry Cooder, Jack White and John Frusciante. But those inclusions came at the expense of Albert King, David Gilmour and Angus Young. Nice to see Derek Trucks on the panel's list too.

You could argue that panel version is safer. I mean with the exception of Keef, who seems to gain more respect with each passing decade, the panel list looks a lot like the list has looked for over 40 years: Clapton, Page, Beck, Hendrix ... all at the top.

So hats off to David Fricke for maybe stimulating some controversy. Like I said, the fun with lists is that you get to disagree.

Defining Moments

If you look at the Guitar Player 40 Most Influential Rock Guitar Solos, as a guitarist, you get the depressing feeling that it's all been done, so why bother?

I mean, take Chuck Berry's Johnny B. Goode, for example. It has the quintessential licks that fit in almost every rock song.

Well almost. To fill up your bag of tricks you can borrow from the songs listed by the Three Kings: Freddie, Albert and B.B.: Hideaway, Born Under A Bad Sign, and The Thrill Is Gone. You don't need much else. Don't believe me? Listen to Clapton's Crossroads. (Yes I know Crossroads preceded The Thrill Is Gone but I'm making a point.)

As a guitarist, I'm always searching for new ways to express myself, but those five solos give you a pretty large playing field.

This is a list of influential solos, not necessarily best or favourite solos. So for sure Duanne Allman's Statesboro Blues belongs there, and, sadly, Eddie Van Halen's Eruption belongs. But some seem arbitrary to me. Is Heartbreaker really Jimmy Page's most influential solo? Is Comfortably Numb David Gilmour's? Pride and Joy is Stevie Ray Vaughan's most definitive solo, and All Along The Watchtower is one of Hendrix's most amazing, but ...

At some point it feels like we've crossed the line where the best, most admired guitarists simply get an arbitrary pick. Fair enough. I wouldn't want to see a list that didn't include Mark Knopfler, Peter Green, Angus Young, Jimmy Page, David Gilmour or Ritchie Blackmore either.

My favourite thing about this list is that most of the solos are very musical. Happily, there isn't much mindless wankarama. Thank you, Guitar Player.

By the way, I get the influence of Elmore James for Dust My Broom, but it's Robert Johnson's, 100%.

Favourite Songwriters - Part 2

Going back to a previous post  ...  whenever you cut a list short at 10, you start feeling guilty about who you have omitted (well, I do, anyway).

So, some honourable mentions:

Influential blues greats:  Robert Johnson, Muddy Waters, Howling Wolf, Leadbelly, Willie Dixon.  See?   There are too many to squeeze into a top ten.

Pete Townshend.  You could say he's uneven, but his best material is huge, and massively influential.

Paul Simon.  Ditto.

Neil Young.  I mean, Neil Young is Neil Young, and even if he didn't make my top ten list, he should be on yours.  Who said this had to make sense?

David Gilmour, Mark Knopfler and Warren Zevon.  My holy trinity of under-rated songwriters.  You can decide which is father, son and holy ghost.

Yikes!  And so I just remembered I forgot - completely forgot - about Bruce Springsteen.  Too late to revise the top ten, so let's put him in with Neil Young and say he should be on yours.

Best Guitarists Ever

Well, here's my version anyway:

1.  Eric Clapton.  A dedicated student, inventive interpreter and astonishing improviser.  Quite simply: the best.

2.  Stevie Ray Vaughan.  Incredible speed and energy - and man did he beat up that guitar!  But always musical.

3.  Mark Knopfler.  Rockabilly, country, spanish, folk, blues, rock.  Knopfler can do it all.

4.  David Gilmour.  His music is the furthest from the simple blues and rock that I love, but can Mr. Gilmour ever make that Strat sing!

5.  Bonnie Raitt.  No, she's not Duane Allman or Sonny Landreth, just the slide player with the tastiest licks, period.

6.  Angus  Young.  Biting solos, amazing speed, and the best vibrato going.  Angus rocks!

7.  George Harrison.  Strong as they already were, was there any song that George's guitar playing didn't improve?

8.  Jimi Hendrix.  The quintessential guitar hero, a huge influence on everyone that followed, Jimi's power to surprise and astonish is unsurpassed to this day.

9.  B. B. King.  Simple.  Powerful.  Perfect.

10.  Mike Campbell.  Never a show off (well, not on record anyway), Campbell keeps his licks simple, to the point, and 100% aligned with the song.

There is a big range in styles, and, some might say, technical prowess in this list.  But each one of these fabulous guitarists share one important trait:  they are musical.  Their guitar work fits the music.

And that's always the point, isn't it?