Undercover Agent For The Blues …

… and Rock!  Take a look at the influence John Mayall has had.  The connections.  The influences. The great music that came out of his influence.

It’s almost unbelievable.  The diagram just depicts the most obvious connections.  The ones that could fit on a page.  It’s missing the Yardbirds-Page-Zeppelin link.  It obscenely abridges Clapton’s reach.  It skips the whole Dylan universe outside the Willburys.  It doesn’t even try to show who Phil Collins has touched, which is, like, everybody.

Was John Mayall as influential as Lennon, Dylan, Jagger, Hendrix or Page?  Maybe not, but when you think about who he’s played with – and who they played with, he’s touched just about everything.  Mayall is one important cat.

The Rover

Wow.  I always knew Jimmy Page was a session player before he signed on with The Yardbirds and then founded Led Zeppelin, but wow.  Gibson’s Jimmy Page In The 60’s article shows you just how much this guy got around.

You’ve got your big names: Tom Jones, Van Morrison, The Kinks, The Who,  Donovan, Cocker … wow.

You’ve got your forgot-about-thems: The Southerners, The Nashville Teens, The Sneekers … who?

You’ve got your really?: Burt Bacharach, Petula Clark, Lulu, Herman’s Hermits … are you kidding me?

You’ve got your that-was-him?:  Gloria?  Here Comes the Night?  Can’t Explain?  As Tears Go By?  With a Little Help From My Friends? (Cocker, not Beatles) Hurdy Gurdy Man?  Did I say wow yet?

This guy was everywhere.  But the song did not remain the same.  He rambled on, met a few friends, went out on the tiles, slapped us upside the head with Good Times Bad Times, and carried us over the hills and far away.

ps – Leave My Kitten Alone?

Speechless

The main thing that jumps out at me as I scan Gibson’s 10 Great Rock Guitar Instrumentals is that it would be hard to build on.  The list apparently features pieces known for their “pioneering impact” as opposed to virtuosity or popularity.

But, like, what else would you add?  Is there much else out there to debate?  We’ve got Beck, Page, Edgar Winter, Van Halen, Duane Eddy and The Ventures – like you’d expect.  And we have to dip into The Who’s Tommy to get to 10.

The genre has a major handicap: no lyrics.  Kinda hampers the singing along, which makes it more difficult on the memory, which reduces the odds of a tune being popular.  Not to mention the emotional impact that lyrics can add to a great song.

Make that two handicaps, the second being that instrumentals tend to be vehicles for showing off.  With all due respect to Mssrs. Beck, Satriani, Malmsteen, Johnson and McGlaughlin et al, chicks don’t dig it.  You can’t dance to this stuff.

These guys have an audience limited to mostly other guitarists, which is why the list is brought to you by Gibson as opposed to a popular culture magazine.  The guitar has dominated popular music for over half a century, but it works best in a supporting role.