Riding With The King

The introduction to Guitar Player’s 12 Most Influential Guitarists of All Time starts with an apology, as if they were expecting an avalanche of criticism – and I know I’ve done my share of whinging about lists over the years.

But they’re talkin’ about influence – not who’s best or who’s the most favoured – and I, for one can’t find a darn thing wrong with this one.

Who hasn’t copped a Chuck Berry lick?  Who hasn’t tried to emulate Clapton or Page or Van Halen?  Who hasn’t dropped his or her jaw at Hendrix or SRV and said, “How’d he do that?”  Who doesn’t appreciate how large Robert Johnson or Chet Atkins loom over all those cats?  And then there’s B.B..

Influential?  You bet.

True North Strong and Free

Rush notwithstanding; there is such a thing as Canadian rock and roll.  The best Canadian bands seem to be able to retain some of that bar band sound even after they’ve made it big.  You know that sound.  When you're digging the band in the bar.  In the bar.  That sound.

The Hip, 54:40, Tom Cochrane, The Northern Pikes, Colin James, The Arkells … even Our Lady Peace and The Guess Who.  They all preserved a bit of their roots, remained true.  

Makes ‘em more approachable, dontcha think?

6 Strings in the Shadows

What is it about human nature that renders everything down to a shorter, smaller, more obvious list?  Bad memory?  Laziness?  Brainwashing?

Guitar Player’s 53 Not-Forgotten Guitar Greats and Heroes is a case in point.

“Seminal movers and shakers who were not blessed with massive or on-going pop-culture fame.”  “Players who float just under the popular radar.”  It’s quite an impressive list.

A whole bunch of blues and jazz that have all but faded from memory.

Some “so that’s who that was” players, like Robert Blunt or Jake E. Lee.

Too many “how did I forget those guys?” guitarists, like Tommy Bolin, Michael Bruce and Glen Buxton, Randy California, Terry Kath, and Roy Wood (well not exactly forget, but …).

And quite a few more I need to check out.

Thanks for the public service, Guitar Player.

Someday He May Get Smart

Every time I listen to Johnny Winter’s Be Careful With A Fool, I smile and think, oh yeah, that’s why I like Stevie Ray Vaughan so much.

Sweet Dreams And Flying Machines

They may not all rock in a kick-ass kinda way, but the songs listed in Guitar Player’s Top 10 Acoustic Riffs of All Time nicely remind us that you don’t need a wall of Marshalls and a dozen stomp boxes to deliver 6-string joy.

The list is ostensibly about riffs, and every song listed has a signature riff indelibly stamped into our collective consciousness.  But the article actually focuses more on the tunes themselves, so you might question whether More Than A Feeling, or Hotel California, or Stairway To Heaven are acoustic or electric tunes – especially as compared to Fire And Rain, Angie or Tears In Heaven.

Then again, what’s to question?  They’re all awesome songs masterfully delivered.

Anything You Want We Got It Right Here …

That driving backbeat.  A relentless series of piano filigrees.  The unmistakable Chuck Berry guitar licks.  Some well placed harmony.  A gifted singer delivering simple lyrics that practically everyone can identify with – even if you’re not American.  Oh, and delivered with attitude.

Linda Ronstadt’s cover of Back in the U.S.A. just might be the perfect rock ‘n’ roll record.

Dust My Lick

Gibson’s 10 Iconic Blues Riffs & Melodies is focused on playing – maybe fooling around and coming up with your own riffs.  But it could just as easily be called The Best Blues Songs of All Time.

Yeah, I know, there are a few thousand tunes competing for that honour, but it’s a pretty impressive list.  Songs written by giants like Willie Dixon, Howlin’ Wolf and Robert Johnson, and played by the masters:  Sumlin, B.B., Buddy Guy, Elmore James, Albert King, Clapton, Hendrix and Johnny Winter.  It doesn’t get much better than that.

But the article’s main point is a good one:  mess around with something you already know and it might take you somewhere new.  I’m sure that’s how most songs are written.

I’m Glad, I’m Glad, I’m Glad

The 50’s and 60’s gave us a lot of delta blues dressed up, first as rock and roll, then as blues rock.  No surprise that Cream applied that treatment – brilliantly, in my books - to I’m So Glad by Skip James.

So if you’re a contemporary of Cream, you go looking for another tune, right?  I mean, what’s the point in re-doing See See Rider after the Animals?  No wait, someone did.  Actually, lots of people.  Nevermind.

Anyway, it turned out if you were Deep Purple you could re-do I’m So Glad and make it totally new.  You know, just weave Rimsky-Korsakov’s Scheherezade around it.  Obvious! 

Not really, and that’s what made that psychedelic era so freakin’ amazing.  Thanks to the fearless, restless exploration that dominated the times, a simple little ditty became a psychedelic, early prog rock tour de force.

Sad Songs, Part 25

OK, the saddest song in the world is actually Adele’s Hello.  No wait!  Maybe it’s When We Were Young.

Ah, heck.  Make it the whole damn album.

The Circle of Love

In Guitar World’s 30 on 30, 30 great guitarists pick their favourite axemen.

All the cats you’d expect to see are there:  Green, Clapton, Blackmore, Beck, Hendrix, May, van Halen, B.B., Rhoads, Malmsteen …

As are, thankfully, a few guys you worry might be all but forgotten, like Leslie West, Alvin Lee and Mick Taylor.  And there are a few names you might not expect to be the idols of guitar wizards, for example Neil Young or Pete Townshend or George Harrison.  Not that they weren’t/aren’t amazing guitarists, but you don’t realize the hotshots feel the same way as you do.  So that’s cool.

But what’s really interesting is to see who the guys on the list like.  So:

• Tom Morello likes Steve Vai, and Steve Vai likes Brian May.
• Joe Perry likes Angus Young, but Angus likes Chuck Berry.
• Ron Thal likes Zakk Wylde, whereas Zakk Wylde likes the Judas Priest duo of Tipton and Downing.
• Richie Kotzen digs Eddie van Halen, who in turn thought Clapton was the man.

Sometimes you can clearly hear a guitarist’s influences in his work; other times, not so much.  So it’s instructive to see what they actually think.  And sometimes surprising.