The 2nd Time Around

Some bands grab you right away, and never let go.  The Beatles, say.

Others are hard to ignore but take a little longer for you to appreciate.  For me, bands like CCR and The Band fall into that category.  They were there, in your face, all the time.  I just took a long time for me to realize how much I dug them.

Other bands, though, barley registered in my consciousness, and they sort of slipped on by while I was busy enjoying the music I was already committed to.  After all, you can only buy so much music, right?  Remember buying?

Anyway, every once in a while, I go back and explore bands that I had been vaguely aware of, but never really paid attention to.  Often, the rewards have been richly rewarding.

These days, I’m just as likely to put on Savoy Brown as Led Zeppelin.  And when I do, I always ask myself how did I miss these guys the first time around?  Humble Pie, Spooky Tooth and Status Quo are other bands I really enjoy now but more or less ignored until they were all but gone from the scene.

Your list will differ, but exploration definitely has its rewards.

Now That I’ve Made It Don’t Want To Fade It

Man, can you ever get lost in Status Quo’s 4500 Times.

You're enjoying the groove, and suddenly you realize it's changed but it's still the same song - then it happens again- and again after that …  over and over again, and each change is seamless.

What a tight band, Status Quo was.

Matchstick Men

January, 1968.  A psychedelic pop song called Pictures of Matchstick Men hits the charts, and man, was it trippy.   Vaguely drug-related lyrics, wah-wah guitar, and one of the early examples of the phaser effect.  OK, it was closer to bubble-gum than, say Cream or Led Zeppelin, but it was cool.

And then they were gone.

Fast forward to July, 1985.  Along with nearly two billion of my closest friends, I watched Live Aid.  The Wembley section of the concert opens up with this high energy bunch of British rockers who don’t seem to have left the 60’s.  They remind me of The Kinks, or any number of British Invasion groups I’d forgotten.  Didn’t catch their name, but they put on a great set.

And then they were gone.

Fast forward to early this century.  I’ve entered the digital age and I’m surfing the web looking for old tunes I once had on vinyl but can’t find on CD.  I go looking for Pictures of Matchstick Men, and find dozens of songs by Status Quo.  Oh!  That was that band from Live Aid.  Why didn’t I know about this?

From the 60’s through the 90’s, these guys reflected back a little of what was popular, but never wavered from their honest delivery of straight-ahead, stand-up, rock ‘n’ roll.

Funny how they never made it this side of the Atlantic.  They seem have a loyal following in the U.K. and elsewhere in Europe, and they deliver a similar brand of music to many other bands – British and American – that have made it and endured.  It’s a pity.  These guys should have been rockin’ all over the world.

Jalopy Rock

Gibson has this list of 10 Great Garage Rock Bands.

The intro talks about garage rock as both primitive and singles-oriented (not self-contradicting?) while Wikipedia describes garage rock as raw and amateurish - and punkish.

To me, rock and roll is punkish by definition. Three chords and a message (even if it's only complaining about the cheerleader who doesn't notice you) - that's the essence of rock and roll. Everything else is just window dressing - or pretense.

Anyway, here's the list:
The Count Five
Flamin' Groovies
13th Floor Elevators
The Seeds
The Troggs
MC5
The Electric Prunes
The Kingsmen
The Stooges
The Velvet Underground

Note to Gibson: not sure I buy that Jimi Hendrix loved The Troggs. I always felt his whole Wild Thing thing at Monterey was a put on.

The point of Gibson's list is who were the pioneers, so it is a pretty good list. Otherwise I might have said: where's Camper van Beethoven, The Northern Pikes, The Smithereens, or even George Thorogood? Not that any of these sounded amateurish.

It's not that I admire poor production of sloppy musicianship, but to me it's the feel of the music, not the degree to which it sounds professional. It's about raw rock and roll. So, my list would also include Creedence, The Kinks, The Status Quo, even The Stones and Neil Young.

We're talking genres, right? And a genre is about style and attitude, not commercial success, and certainly not ability. I mean, if Keef isn't punk then I don't know who is!

One Hit Wonders

Speaking of singles, what would the world be without one hit wonders?

I mean, my iPod is mostly full of every-tune-ever-recorded by my favourite artists, but there sure were a lot of other people who came along, made me smile (still do, most of 'em), then disappeared.

And there were a lot: Tommy Tutone, Tony Joe White, The Equals, Dobie Gray, Baha Men, Edwin Star, The Left Bank, Blues Image, The Rembrants, Camper van Beethoven, Baltimora (ya, actually), The Records (well, blinked and you missed them, but I noticed), Dead or Alive, Free, Dream Academy, Bubble Puppy (sure you do), Rhinoceros, The Monks, The Standells, Kim Carnes, The Sweet ... on it goes.

Then there were the ones who maybe had more than one hit, but I didn't notice because only one of their songs crossed over into my reality: Salt N Peppa, Marrs, Lou Bega, Los del Rios.

Or the kind that were one hit wonders but they weren't really, like Status Quo, whose Pictures of Matchstick Men was big on this side of the Atlantic, but they had a million other hits in Britain.

Yes, and the ones that I wish had been one hit wonders: Frankie Goes To Hollywood, Thomas Dolby, America, April Wine.

Sorry, Mom, there I go again not being nice.

Anyway, here's to the one hit wonders. They make a nice diversion from the predictability we impose on ourselves.