Filling Stevie’s Shoes

Stevie Ray Vaughan’s untimely death in 1990 left a void in the world of young blues musicians.  So says Gibson’s Top 10 Modern Blues Guitarists.

But, as the article nicely proves, blues guitar is alive and well, thanks to the likes of: Joe Bonamassa, John Mayer, Jack White, Dan Auerbach and Derek Trucks.

Indeed, while they have all been successful, if they had been born 20-30 years sooner, the 10 guys listed would have easily joined SRV in the pantheon of guitar gods.  These cats have chops.

And soul.

The torch has been passed, and the flame will never go out.

From These Failing Hands

You can’t develop a style without studying someone who came before, says Gibson’s 10 Guitar Greats and Their Influences.  Truth.

Surprising revelations, though.  OK, so Zakk Wylde digs Randy Rhoads, and Joe Bonanassa adores Paul Kossoff, and – duh – Derek Trucks was influenced by Duane Allman.  And Clapton and Beck get mentioned more than once.

But Slash was influenced by Cat Stevens and Cheap Trick?  Trucks was into Coltrane?  Townshend thinks he sounds like John Lee Hooker?  Frampton practiced Shadows tunes?  Holy b string.

What surprises me, though, is that not many of these guys seem to go back very far.  Most of the influences were immediate, the stuff heard when they were growing up.  One reference each to Scotty Moore, Chet Atkins and Jimmy Burton.  Only Hooker and Elmore James mentioned from the 50’s Blues greats.

No T-Bone Walker, no Freddie King?  no BB?  no Lightning Hopkins, Son House or Robert Johnson?  No Chuck Berry?  Are you kidding? 

Frampton mentions Django Reinhardt, but no one seems to be digging into the past to learn where their heroes learned their stuff.  That is indeed curious.  I mean, how do you study your idol and try to understand what they’re doing without studying what they were trying to understand?

It’s a short article so maybe lots got edited out.  I hope so, ‘cause it feels like we’re loosing our connections with the past, and that would not be a good thing.  Music has changed rapidly over the last half century, and most of it has been exciting and positive.  But it was also built on a solid foundation that goes back countless generations.

If we lose that the thrill will be gone.

Invisible Suns

Fender has a list of Top 10 Unsung Guitarists.  Not everyone can be Eric Clapton and be lionized from (what seems) birth.  Or Steve Cropper and get noticed for being the perfect sideman for like a zillion acts.  So this is a cool list.

Which is:  Doyle Bramhall II, Tyler Bryant, Jim Campilongo, Bill Frisell, Greg Koch, Michael Landau, Buddy Miller, Paul Pigat, Pillip Sayce, Alex Scally.

Can’t say I have heard of all of them, which I guess is the point.  But the write-ups sure prove these are accomplished guys.

Not sure where you would cross the line from “unsung” to “not sung enough” but I might nominate Joe Bonamassa, Buddy Whittington and Coco Montoya.  All masters who coulda/shoulda been bigger.

So what separates these guys from the Claptons, Becks, Pages and SRV’s of the world?  Singing?  Songwriting?  The right band?  Management?  Fashion sense?  Luck?

We’ll never know, of course, or else we’d all go out there and be superstars.

Anyway, play on, dudes.  Your sun may yet shine brighter.

p.s. – I was just kidding about the fashion sense.  I think.

Best Guitarists Ever - Part 2

Some honourable mentions, in no particular order:

Joe Bonamassa.  He has studied - and mastered - the masters.

Peter Green.  Clapton's successor with John Mayall and founder of Fleetwood Mac, Green was the master of the tasty lick.

Robben Ford.  Incredibly versatile, I don't understand why his isn't a household name.

Robert Johnson and T-Bone Walker.  Definitely the two most influential guitarists who ever lived.

John Frusciante.  The Chili's frontman has all the right chops!

Shifting gears to acoustic greats:  Keb' Mo', Bruce Cockburn, and James Taylor.  Well, you don't have to be a blues guy to play amazing guitar.

In leagues of their own:  Harry Manx, who manages to blend blues, folk and Indian music and make it sound obvious;  Ritchie Blackmore, whose lightning speed and unique vocabulary have never been matched.

Oh ya, and Paul McCartney.  Sure, we think of him as the bass player who can play piano, but his solo on Taxman alone earns him a spot on the list.

Again, each one of these giants can surprise and delight, but always to compliment the song.