Western
music has divided the octave into twelve equidistant notes. The major scale uses seven of those
notes. The minor scale uses a different
seven (or nine, actually, but let’s not get into that). Such scales are known
as heptatonic (seven tones).
Modern
guitarists mostly get by with pentatonic scales, taking five notes from the
minor scale to play blues, or five notes from the major scale to play country. Since rock borrows heavily from both blues
and country, rock guitarists tend use either major or minor pentatonic
depending on the song.
Jazz
players? Well, they prefer strange seven
and nine note scales with even stranger sounding Greek names. Good for them.
Skilled
and inventive guitarists throw in lots of notes that don’t belong in the
pentatonic scale - sometimes to harmonize, sometimes to give you a tasty blue
note – but they rarely stray from those five basic notes. Most of the classic guitar solos follow this
pattern.
Isn’t
it amazing what you can do with a driving beat, a few simple chords, and five
little notes?
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