Part II of my rebuttal to Professor Armand Leroi’s preposterous assertion that The Beatles had virtually no influence on pop music.
Chuck Berry, Elvis, Little Richard, Buddy Holly, the Everlys - played by punks, punks who grew up listening to show tunes, folk songs, sing-alongs, music hall numbers, cowboy movies, and Granny’s weekly performance at the pub.
By the time they had emerged from Hamburg and those 6 hour sets, The Beatles had developed their own unique sound, a sound which incorporated that early rockabilly, 50’s R&B, and yes, their childhood influences. They had become adept at absorbing other styles and transforming them into their own brand of rock and roll.
Then there was soul music, and the pixie dust of Motown, which had, in its own way, done the same thing.
Dylan, folk-rock, classical, Eastern, psychedelic, singer/songwriter, hard rock, each one studied, re-imagined and grafted on to that ever-expanding base. Each new experiment set someone else off on another new idea, which looped right back to The Beatles for them to start all over again. Getting so much better all the time.
There is no scientific way to explain the influence of The Beatles, because it magic.